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The Administration of the Roman Empire

Exeter Studies in History

Specialist authors consider the growth and workings of the Roman Empire from the end of the first war with Carthage to the accession of Septimus Severus through such aspects as Roman governors, cities, non-urban areas and client kings.

". . . should appeal to anybody interested in how Rome managed to administer so extensive and diverse an empire." Classical World


Athenaeus and his World: reading Greek culture in the Roman empire

"Ce magnifique ouvrage . . . Mais les amateurs de musique, tout comme les lecteurs d’Homère et de Platon, auront également beaucoup à glaner dans cet ouvrage qui, sans nul doute, marque une étape nouvelle et incontournable dans le renouveau des études sur Athénée." 
Revue des Etudes Greques
, No. 114, 2001

"Although Athenaeus’ magnum opus is so crucial a text for our knowledge of classical literature and society, his own work has received astonishingly little interest among scholars. In response to this palpable oversight, the editors some years ago organised an international conference to celebrate and explore Athenaeus and his legacy. This weighty volume includes most of the papers from that conference . . . Each contributor is an expert in his specialist field and so offers a uniquely scholarly insight into Athenaeus, his sources and reliability . . . Each contribution is backed up by a wealth of scholarly notes and a helpful general bibliography . . . There is something for everyone here, whether scholar or just interested Hellenist. It might even make you turn to Athenaeus himself and start reading him…"
The Anglo-Hellenic Review, No. 25, Spring 2002

"As the first major book on the Deipnosophistae, Athenaeus and His World provides a pleasingly varied introduction to an under-explored monument."
Times Literary Supplement, March 2002

Almost all classicists and ancient historians make use of Athenaeus; Athenaeus and his World is the first sustained attempt to understand and explore his work as a whole, and in its own right. The work emerges as no mere compendium of earlier texts, but as a vibrant work of complex structure and substantial creativity. The book makes sense of the massive and polyphonous Deipnosophistae, the quarry upon which classicists and ancient historians depend for their knowledge of much ancient literature, particularly Comedy, and also the source of much of the data used by modern historians for the social history of the classical and hellenistic worlds.

The 41 chapters, written by an international team of literary specialists and historians, each tackle a significant feature, and the book is divided into seven sections, each prefaced by introductory remarks from the editors.

  • Complements other recent and forthcoming work
  • International team of historians and literary specialists
  • Foreword by Professor Glen Bowersock of Princeton University
Market: Scholars and graduate students of classical studies, classical literature, ancient history. Academic libraries. The informed general reader with an interest in the above subjects.

Editors: David Braund is Professor of Ancient History, University of Exeter. His books include The Administration of the Roman Empire (Exeter, 1988); Georgia in Antiquity: A History of Transcaucasian Georgia, 550 BC-AD 562 (Oxford, 1994); Ruling Roman Britain: Kings, Queens, Governors and Emperors from Caesar to Agricola (Routledge, 1996). John Wilkins is Reader in Greek Literature, University of Exeter. His books include Food in Antiquity: Studies in Ancient Society and Culture (Exeter, 1996).

CONTENTS AND CONTRIBUTORS

Foreword (Glen Bowersock, Princeton)
Section I: General Introduction
Introductory remarks
1. David Braund (Exeter): Learning, luxury and empire: Athenaeus' Roman patron
2. John Wilkins (Exeter): Dialogue and Comedy: the structure of the Deipnosophistae
Section II: Text, Transmission and Translation
Introductory remarks
3. Geoffrey Arnott (Leeds): Athenaeus and the Epitome: texts, manuscripts and early editions
4. Rosemary Bancroft-Marcus (Oxford): A dainty dish to set before a king: Natale Conti and his translation of Athenaeus' Deipnosophistae
Section III: Athenaeus the Reader and his World
Introductory remarks
5. Dorothy Thompson (Cambridge): Athenaeus' Egyptian background
6. Christian Jacob (Paris): Athenaeus the Librarian
7. Yun Lee Too (Columbia): The Walking Library of Athenaeus: The Performance of Cultural Memories
8. Ewen Bowie (Oxford): Athenaeus' knowledge of early Greek elegiac and iambic poetry
9. Keith Sidwell (Cork): Athenaeus, Lucian and fifth-century comedy
10. Giuseppe Zecchini (Milan): Athenaeus and Harpocration: historiographical relationships
11 Frank Walbank (Cambridge): Athenaeus and Polybius
12 Christopher Pelling (Oxford): Fun with fragments: Athenaeus and the historians
13 Karim Arafat (London): The recalcitrant mass: Athenaeus and Pausanias
14 John Davies (Liverpool): Athenaeus' use of public documents
15 Ruth Webb (Princeton): Picturing the past: uses of ekphrasis in the Deipnosophistae and other works of the Second Sophistic
16 Maria Gambato (Padua): The female king: some aspects of representation of eastern kings in the Deipnosophistae
17 Keith Hopwood (Lampeter): Cultural politics in Smyrna, city of the sophists
Section IV: Structural Overviews
Introductory remarks
18 Lucia Rodriguez-Noriega Guillén (Oviedo): Are the 15 books of the Deipnosophistae an excerpt?
19 Luciana Romeri (Paris): The Logodeipnon: Athenaeus between banquet and anti-banquet
20 Paola Ceccarelli (L'Aquila): Athenaeus and dance
21 James Davidson (London): Pleasure and Pedantry in Athenaeus
22 Tim Whitmarsh (Cambridge): The politics and poetics of parasitism: Athenaeus on parasites and flatterers
23 Graham Anderson (Kent): The banquet of belles-lettres: Athenaeus and the comic symposium
24 Antonia Marchiori (Padua): Between Ichthyophagists and Syrians: features of fish-eating in Athenaeus' Deipnosophistae Books Seven and Eight
Section V: Key Authors
Introductory Remarks
25 Malcolm Heath (Leeds): Do heroes eat fish? Athenaeus on the Homeric lifestyle
26 Michael Trapp (London): Plato in the Deipnosophistae
27 Maria Broggiato (London): Athenaeus, Crates and Attic glosses; a problem of attribution
28 Andrew Dalby (Cambridge): The anecdotists (with the fragments of Lynceus)
Section VI: Sympotica
Introductory remarks
29 Silvia Milanezi (Grenoble): Laughter as dessert: on Athenaeus' Book Fourteen, 613-616
30 Richard Stoneman (London/Exeter): You are what you eat: diet and philosophical diaita in Athenaeus' Deipnosophistae
31 Dwora Gilula (Jerusalem): Stratonicus, the witty harpist
32 Andrew Barker (Birmingham): Athenaeus on music
33 Elizabetta Villari (Genoa): Aristoxenus in Athenaeus
34 Roger Brock (Leeds) and Hanneke Wirtjes (Oxford): Athenaeus on Greek wine
35 Konstantinos Niafas (Brussels/Exeter): Athenaeus and the cult of Dionysos Orthos; Deipn. 2. 38
36 Rebecca Flemming (London): Physicians at the feast: the place of medical knowledge at Athenaeus' dining-table
37 Danielle Gourevitch (Paris): Doctors at supper: Hicesius' fish and chips
38 Jean-Nicolas Corvisier (Arras): Athenaeus, medicine and demography
39 Madeleine Henry (Iowa): Athenaeus, the Ur-Pornographer
Section VII: The other Athenaeus
Introductory remarks
40 David Braund (Exeter): Athenaeus, On the Kings of Syria
41 John Wilkins (Exeter): Athenaeus and the Fishes of Archippus
Epilogue
Bibliography; Index locorum; Index of Subjects


Death of an Emperor

"A guide to this significant material has long been needed, and this gap has now been filled by Wiseman's admirable book... It should go a long way towards making senior students recognise the historical interest of a chapter of Roman history that they might have tended to regard only as lurid and sensational." 
Classical Review


Figuring Out Roman Nobility

Exeter Studies in History

". . . its verve, along with H.'s impressive scholarship, sets this work apart from the drear, scripted prose endemic to culture criticism. H. writes with committed energy rather than dogmatism, with an eye to the words on the page as well as the ideologies subtending them. These are two brilliant, tough and valuable books."
The Classical Review, XLIX, 1, 1999

"John Henderson's witty and provocative study of Juvenal's excoriating satire on noble family trees, sets out, as it were, to hunt for the unpatched arse-holes of the Roman aristocracy. That Juvenal's Eighth Satire exposes the pretensions of the disreputable descendants of the great and the good is evident. The only true nobility, proclaims the satirist, is virtue. But for Henderson, in Figuring Out Roman Nobility: Juvenal's Eighth Satire, the attack is broader still. Not only are the ancestors systematically ridiculed, but the entire culture of deference to the dead is demolished, taking with it the classics of Latin literature and the whole edifice of Roman education that was based on them. Even the reader is not immune to the satirist's attack, since the capacity to make any sense of this densely allusive poem betrays all too close an acquaintance with the subject of all those eulogies. The poem, in Henderson's reading, turns the tables on the ancestors, subjecting them to scrutiny, making their deeds and reputations the object of the critical and shaming gaze of the living."
Times Literary Supplement, 12 September 1997

"The book belongs to a series designed to make 'the latest research . . . accessible . . . to a student and general readership'. I hope that students and others will make the effort needed for this, like any interaction with a piece of Hendersonese (though this is much 'easier' than some of his tours de force), and will be attracted by the punning, playful, allusive style. Hardened academics should check it out, for this is sustained literary and cultural criticism from one of the cleverest classicists currently active."
Greece and Rome, 44.2 (October 1997)

"This book is . . . well grounded in solid literary scholarship, displaying the author's indisputably wide and detailed knowledge of Latin literature. It is well buttressed by a supportive structure of appendices (36 pages compared with 96 pages of the main body of the book) and endnotes, in which the author's erudition is apparent. It is also grounded in a detailed examination of the Roman social and cultural history of the period of which the satire is a product. The text is firmly placed in context in the world, both material and mental, from which is comes and to which it was first directed . . . Instead of taking the text merely as an example of . . . commonplace performance, Henderson in this deftly articulated book invites us to read Juvenal Satires 8 as a distanced comment of contemporary Roman educational practice, the place of tradition in Roman life, and on 'Romanness' itself, as created, recreated and transmitted." 
Scholia, 6 (1997) 19

Juvenal is a central author on courses in Classical Studies and has an important place on courses in comparative literature, both in the UK and USA. This new book by John Henderson shows how the eighth Satire, a brilliant piece of writing, makes fun of traditional Roman family values, and in the process displays the core of ideas and practices with which aristocratic culture at Rome enshrined itself - the display of geneologies, ancestral busts, proliferating names, the cult of exemplary legends - in all seriousness. Virgil and Horace are Juvenal's prize scalps in his spoof of the Roman fame-machine.

The book is aimed at undergraduate students of Roman Satire, and advanced school students of Classical Civilisation; but the notes and Appendices also address scholars and advanced readers of Latin poetry and Roman cultural politics, supporting a new close-reading and engaging with literary theory. All Latin is translated.

  • Accessible and entertaining
  • Suitable for all levels of study of Roman culture and Latin literature
  • Established but controversial author
Market:Students of Classical Studies, Roman history and culture, comparative literature. Classical scholars. Academic libraries.

Author: John Henderson is Reader in Latin Literature, University of Cambridge and Fellow of King's College, Cambridge. He is co-author (with Mary Beard) of Classics: A very short introduction (Oxford, 1995).

CONTENTS

Introduction: Which of your relatives need you to exist?
Chapter 1: On the way in: Text and translation of Juvenal, Satire 8. 1-38
Chapter 2: Noblesse oblige: What are pedigrees?
Chapter 3: Rome in the Nomen: Naming in Latin.
Chapter 4: Pedigree chums: The poetics and politics of Roman names.
Chapter 5: It's no good calling people names: vv.1-5
Chapter 6: Canst though not remember Quintius, Fabricius, Curius, Regulus?: The 'generalizing plural' in Latin.
Chapter 7: Why the little boy was glad that everyone called him Cyril: v.3
Chapter 8: Curiouser and curioser: v.4
Chapter 9: Fallen Idols: vv.6-9
Chapter 10: The fame of the name: vv.6-9
Chapter 11: That for a game of soldiers: vv.9-12
Chapter 12: Absolutely Fabius: vv.13-8
Chapter 13: Courage, mon brave: vv.19-20
Chapter 14: Lloyd's names: vv.21-38
Chapter 15: All the way, always: Translation of Juvenal, Satire 8. 39-275
Chapter 16: Off you go and make a name for yourself: vv.39-275
Chapter 17: On your way out, if you wouldn't mind . . . : Juvenal, Satires, Book 3

Appendix 1: Horace, Odes 1. 12 and the 'generalizing plural': Discussion (with texts and translations).
Appendix 2: Virgil's roll-call of Roman Exempla: Aeneid 6.808-86, synopsis, text and translation.
Appendix 3: Fabius Maximus in Virgil, Livy, Ovid: Discussion (with texts and translations).
Appendix 4: Glossary of Roman Cognomina: Why is a Roman Emperor like P?

Bibliography: Works referred to in the text and notes.
Index: Chief passages discussed in the text and notes.


Food in Antiquity

"Because of what it tells us about the cultures that fashioned it into such strange rituals, food is now a respectable part of history . . ."  
Times Literary Supplement

Food as a cultural symbol was as important in antiquity as in our own times and Food in Antiquity investigates some of the ways in which food and eating shaped the lives and thoughts of the indigenous peoples of the ancient Mediterranean.

In this volume thirty contributors consider aspects of food and eating in the Greco-Roman world. This is the most comprehensive exploration of questions relating to food in antiquity in this country. The authors, some specialists in this field, others with expertise in other areas, use a range of approaches to investigate the production and distribution of food, social, religious and political factors, medicine and diet, cultural identity and contrasts with neighbouring cultures, and food in literature. The volume is designed for both Classicists and those interested in the history of food.

The aim is both to illuminate and to entertain, and at the same time to remind the reader that the Greeks and Romans were not only philosophers and rulers of empires, they were also peasant farmers, traders and consumers of foods who considered that what and how they ate defined who they were.

"To say that in the past there has been a chasm between classical studies as such on the one hand and food history studies on the other would be misleading ... this book from Exeter ... provides a clear and welcome sign that the two fields are acquiring beneficial organic connections of a kind which had only rarely been glimpsed, or dreamed of, in the past."
Alan Davidson (from the Foreword to the book)

Readership: Anyone interested in the social and cultural history of food. Classical scholars; archaeologists; third year undergraduate and postgraduate students; cultural and social historians.

JOHN WILKINS is Senior Lecturer in Classics, University of Exeter; DAVID HARVEY was, until his retirement, Lecturer in Classics, University of Exeter; MIKE DOBSON is Faculty of Arts Computing Officer, University of Exeter.


Historiography and Imagination

Exeter Studies in History

How did the Romans make sense of their own past? And how can we make sense of it, when the evidence for early Rome and the Republic is so inadequate? In this volume, Professor Wiseman focuses on some of the more unfamiliar aspects of the Roman experience, where the historian needs not just knowledge but imagination too. The first essay in the book, the 1993 Ronald Syme Lecture 'The Origins of Historiography', argues that dramatic performances at the public games were the medium through which the Romans in the 'pre-literary' period made sense of their own past. All Latin and Greek source material is translated.

"...this is an extremely useful book...The final essay[...] is Professor Wiseman at his very best, integrating sensitive interpretation of literary texts with erudite material, to present a fascinating exposition of the ideological significance of elite residences in ancient Rome." 
Times Literary Supplement

"Wiseman regales us here with yet another volume of essays on linked themes and this collection shows him in vintage form. All his characteristic virtues are on display - stylistic elegance and wit, dazzling eruditic and imaginative flair . . . this is a rich and rewarding volume." 
Classical Review


Homer's Iliad

This book introduces the general reader, as well as the student of Classics, to one of the masterpieces of European literature, the Iliad of Homer, in the English translation of Richmond Lattimore.  It offers the background which readers need to understand the poem’s detail of story and characters, and it provides a step-by-step guide to the story’s unravelling and to the literary features which have ensured its enduring popularity since its composition in 750 BC. 

The edition is designed specifically for the reader who has neither Greek nor any previous knowledge of Homer and approaches the poem as a literary text, seeking to identify the poet’s techniques and to assess their effects.  It can be used both as a continous reading alongside Lattimore’s (or any other) translation and as a reference work for specific points of textual understanding or interpretation.  There is a comprehensive and up-to-date bibliography and a guide to further reading.   

  • Designed specifically for the reader who has neither Greek nor any previous knowledge of Homer 
  • Reflects the most recent research and changes in the teaching of Classical Studies over the last 20 years
  • Enables the general reader to engage with the entirety of the epic

Market: Undergraduate and taught postgraduate students in Classical Studies, especially those taking courses in Classical Civilization.  Advanced level school students in Classical Studies.  Academic libraries. The general reader with an interest in the subject.

Author: Norman Postlethwaite is Senior Lecturer in Classics and Ancient History at the School of Classics, Ancient History and Theology, University of Exeter.  He is co-editor of Reciprocity in Ancient Greece (Oxford, 1998).


Lies and Fiction in the Ancient World

This collection of essays explores the key issue of the nature of the boundary between fact and fiction, an issue which has become prominent especially through the upsurge of interest in the ancient novel and recent work on the rhetorical character of ancient historiography. The collection covers early Greek poetry (E.L. Bowie), Greek and Roman historiography (John Moles and T.P. Wiseman), Plato (Christopher Gill) and the Greek and Roman novel (John Morgan and Andrew Laird), and especially considers how far 'lying' was distinguished from 'fiction' at different periods and in different genres.

"Despite its selective focus, this superb collection of articles on the problem of fiction in antiquity is a valuable acquisition for any general library, the scope of the book and the range of the individual contributions extensive enough to ensure that the evidence for this protean literary category is given generous coverage."
Classical World, June 1997

"It has long been recognized that the imagination of the novelist, the poet, and the historian must be related in important, intimate ways. This collection advances our understanding of those related imaginations." 
Professor James Tatum, Dartmouth College, USA

"If the range of ideas developed by ancient writers does not precisely correspond to modern categories, that is hardly surprising: as Michael Wood and D.C. Feeney argue, the boundaries between fact, fiction and falsehood are culturally determined and change over time. This book explores the varying ways in which these categories were constructed in the ancient world, and in the process raises important questions about the definition of fiction in contemporary culture."
Journal of Hellenic Studies


Lost Dramas of Classical Athens

Lost Dramas of Classical Athens is the first substantial study of Greek tragedies known to us only from small fragmentary remnants that have survived.  The book discusses a variety of Greek tragic fragments from all three of the famous Athenian tragedians: Aeschylus, Sophocles and Euripides.  The recent publication of translations of some of these fragments (Sophocles in the Loeb series, and Euripides in the Aris and Phillips series) means that the fragments are now more readily available than ever for study.

The large number of extant fragments of ancient Greek tragedy can tell us enormous amounts about that genre and about the society which produced it.  Papyrus finds over the last hundred years have drastically altered and supplemented our knowledge of ancient Greek tragedy; the book is at the cutting-edge of research in this field.

  • Top class contributors including world authorities in the field of tragic fragments (Collard, Kassel) and tragedy (Gill, Seaford, Wiles)

  • Will provide an important complement to other work on extant Greek tragedy

  • Many university Classics departments offer courses centred on Greek tragedy

Market: Classics. Ancient History. Drama. Academic classicists at third-year undergraduate, postgraduate and professional levels. The main interest will be in the UK, the USA, Germany, France and Japan, where a lively tradition in ancient Greek scholarship exists.  University libraries.

Editors: Fiona McHardy is Lecturer in Classics at the University of Reading, and is co-editor of Women’s Influence on Classical Civilization (Routledge, forthcoming).  James Robson is Lecturer in Classical Studies at the Open University and has co-written a course book of classical Greek for post-beginners.  David Harvey is Lecturer in Classics at the University of Exeter; he has published widely on various topics related to Greek antiquity; in particular, he co-edited Food in Antiquity (University of Exeter Press, 1995) and The Rivals of Aristophanes (Classical Press of Wales, 2000).

Contents

1. Introduction , James Robson, Open University

2. Fragments and their Collectors , Rudolf Kassel, University of Cologne
(translated by David & Hazel Harvey)

2a. Tragic Thrausmatology: the Study of the Fragments of Greek Tragedy in the 19th and 20th Centuries , David Harvey, University of Exeter

3. Euripidean Fragmentary Plays: the Nature of Sources and their Effect on Reconstruction , Christopher Collard, University of Swansea

4. Lycians in the Cares of Aeschylus , Anthony Keen, Open University

5. Death and Wedding in Aeschylus’ Niobe , Richard Seaford, University of Exeter

6. Spectral Traces: Ghosts in Tragic Fragments , Ruth Bardel, Somerville College Oxford

7. From Treacherous Wives to Murderous Mothers: Filicide in Tragic Fragments , Fiona McHardy, University of Reading

8. Aristophanes on how to write Tragedy: What You Wear is What You Are , James Robson, Open University

9. Tragic Fragments, Greek Philosophers & the Fragmented Self , Christopher Gill, University of Exeter

10. Hypsipyle: a Version for the Stage , David Wiles, Royal Holloway University of London

11. Bibliography , (compiled by Fiona McHardy)


Modernising the Classics

"Thorough research and extensive reference to archival sources have resulted in a clear and interesting account of how the teaching of Latin has changed and why." J
ACT Review

The Cambridge School Classics Project is widely recognised as one of the most successful of the British curriculum development projects of the 1960s and 1970s. Until now its full story has never been written. Its impact on the way Latin is taught in schools has been remarkable and its development of courses in Greek and Roman civilisation have also made an important contribution to the humanities curriculum of schools.

The main focus of this historical study is on the origins and operations of the Project during its full-time existence 1966 to 1970, although attention is also paid to later developments.

Readership: Educationists, expecially those involved in the history of curriculum development, teachers of Classical studies; the interested general reader, especially those who used the Project's materials at school.

MARTIN FORREST is Principal Lecturer in the Faculty of Education, University of the West of England, Bristol. He is also the Deputy Director of the Cambridge School Classics Project.


Myth, History and Culture in Republican Rome

In this collection of essays, an international team of outstanding scholars engage with the ideas and methods of Professor Peter  Wiseman’s past and present work.  They provide a sustained response to the work of one of the most widely respected Roman historians of this generation.

The contributions range over myth (Corialanus and Remus), the interplay between historiography, literature and myth-making (on Cleopatra, for instance), and art and story-telling at Boscoreale.  They explore Roman drama (Pacuvius) and links between drama and Virgil’s Aeneid; they discuss Catullus in Bithynia and Cicero on Greek and Roman culture. 

Professor Wiseman has been at the forefront of innovative research in Roman history, historiography, literature in context, drama and myth, for many years.  His work is marked by the combination of a powerful historical imagination with an acute sense of the limitations of our knowledge and of the need to negotiate with the complexity of our sources.   

  • Exciting collection of new work and wide range of topics

  • First-class line-up of international scholars: Francis Cairns, Filippo Coarelli, Edward Champlin, Tim Cornell, Michael Crawford, Elaine Fantham, Karl Galinsky, Erich Gruen, Nicholas Purcell, Mario Torelli, Susan Treggiari, Tony Woodman, James Zetzel.

  • Peter Wiseman is a highly respected and much-liked scholar

Market:  Scholars of Roman history, literature and culture.  Postgraduate and some undergraduate students taking courses in Roman history, literature and culture.  Past students of T.P. Wiseman.  Academic libraries.  General readers with an interest in the subject.

Editors: David Braund is Professor of Black Sea and Mediterranean History, University of Exeter; Christopher Gill is Professor of Ancient Thought, University of Exeter.

Contents and Contributors

Introduction: David Braund and Christopher Gill

Chapter 1 Becoming Historical – the Roman Case. Nicholas Purcell (St John’s College, Oxford)
Chapter 2
Remoria (in English translation). Filippo Coarelli (University of Perugia)
Chapter 3 Land and People in Republican Italy. Michael Crawford (University College, London)
Chapter 4 Coriolanus: Myth, History and Performance. Tim Cornell (University of Manchester)
Chapter 5 Pacuvius: Melodrama, Reversals and Recognition. Elaine Fantham (Princeton University) Chapter 6 
Plato with Pillows: Cicero on the Uses of Greek Culture. James Zetzel (Columbia University) Chapter 7 Ancestral Virtues and Vices: Cicero on Nature, Nurture and Presentation. Susan Treggiari (Stanford University)
Chapter 8  Catullus – in and about Bithynia : Poems 68, 10, 28 and 47. Francis Cairns (The Florida State University)
Chapter 9 
Poems to Historians: Catullus 1 and Horace Odes 2.1. A.J. Woodman (University of Durham) Chapter 10 The Frescoes of the Great Hall of the Villa at Boscoreale: Iconography and Politics. Mario Torelli (University of Perugia)
Chapter 11 Cleopatra in Rome: Facts and Fantasies. Erich Gruen (University of California, Berkeley) Chapter 12 Greek and Roman Drama and the Aeneid. Karl Galinsky (University of Texas, Austin) Chapter 13  
Agamemnon at Rome: Roman Dynasts and Greek Heroes. Edward Champlin (Princeton University)

Elaine Fantham: 'An Appreciation of T.P. Wiseman'

T.P. Wiseman: 'Autobiographical sketch'

Bibliography of T.P.Wiseman


The Myths of Rome

‘Wiseman is a master of constructive fiction, and everything he writes is exhilarating.  In fact, it would be hard to think of an ancient historian whose work is better designed to inspire...’  Times Literary Supplement on Roman Drama and Roman History (University of Exeter Press)

‘There was once a dream that was Rome.’  So says the old emperor Marcus Aurelius in Ridley Scott’s epic Gladiator.  It was a Rome of free citizens, brave, incorruptible, loved by the gods.  It had its own myths, the stories that defined what the Romans were, and in due course it achieved mythic status itself.  The myths of Rome have inspired artists, writers and statesmen throughout the ages: from Botticelli’s ‘Primavera’ and Shakespeare’s Roman plays to Machiavelli’s Discourses and Addison’s Cato – a key text for the founding fathers of the American revolution.

 

And yet, while a wealth of material dealing with Greek myth exists, the myths of Rome are a neglected topic.  Some authorities have even claimed that the Romans had no mythology at all.

Wiseman’s remarkable new contribution to this almost totally unexplored field is highly illustrated and characteristically ambitious in its threefold purpose:

  • to collect, and present in readable and accessible form, the neglected evidence for Roman myths, both iconographical and literary,

  • to attempt to trace the development of the Roman story-world over time, from the sixth century BC to the second AD,

  • to explore its ‘afterlife’ in western culture from the Renaissance to the present day, with generous illustration of the visual evidence from ancient and post-Renaissance sources.

Market: Anyone interested in myths and mythology – this book has been written and designed with the general reader in mind. Students of Roman history from school level upwards, and their teachers.  Students and teachers of myth and folklore at undergraduate and graduate level.  Specialists in Roman history and myth.  Anyone interested in the portrayal of myth in art.

Author: Peter Wiseman is Professor of Classics at the University of Exeter and a Fellow of the British Academy.  Reviews of his books include the following comments: ‘quite simply brilliant’ (Times Literary Supplement), ‘enthralling’ (London Review of Books), ‘stylistic elegance and wit, dazzling erudition and imaginative flair’ (Classical Review), ‘exceptional analytical skill and creative imagination’ (Bryn Mawr Classical Review).

Some comments on The Myths of Rome:

‘This is a book… that will send reviewers into rage or rapture; it will tread a path of idiosyncratic theoretical non-theory… and I think I will hate it; but it will be a memorable book all the same.’ Mary Beard, Fellow of Newnham College, Cambridge, and Classics Editor of the Times Literary Supplement

‘Wiseman has set out to change our picture of early Roman civilization by making clear how myth worked within it.’

‘Wiseman’s broad competence – even in Renaissance history and modern letters, and at the end, in the history of film – is magisterial…’

‘His book will appeal to a broad readership, certainly to college students, but every Romanist will want a copy too.’

‘Classical myth, meaning really “Greek myth”, is an enormously popular course in American universities… Wiseman’s book will cater for a corresponding “Roman myth” course, not possible currently because of the lack of a text.’ Barry Powell, Halls-Bascom Professor of Classics, University of Wisconsin-Madison

‘There really is no competition for this book…’

 ‘A major contribution to the current re-evaluation of Roman culture…’ John Bodel, Professor of Classics, Brown University, Rhode Island

‘The way we treat the myths and fables of Rome is in need of serious revision and Wiseman is clearly the scholar to do it.’ James Tatum, Aaron Lawrence Professor of Classics, Dartmouth College, New Hampshire

‘This is a wonderfully rich and original book…’

‘The work is fresh and original in content, style, method and approach, and nothing quite like it exists in any language.’

‘A great deal of the book consists of story-telling, and is written in an attractive and deceptively simple narrative style, recalling that of books of “fairy-tales”. This mode of presentation … is appropriate for a 21st-century readership for most of whom the traditional stories of ancient Rome are unfamiliar territory.’

‘By an imaginative effort of reconstruction [Wiseman presents] to the reader the history of Rome… “from the People’s point of view”. This has never been done before by anyone using the full panoply of modern scholarship and the full range of available material… of which Wiseman’s knowledge is unrivalled.’ Professor Tim Cornell, Professor of Ancient History, University of Manchester

T.P. Wiseman’s previous books include:

Remus: A Roman Myth (CUP); the recently reissued Clio’s Cosmetics: Three Studies in Greco-Roman Literature (Bristol Phoenix Press); and, with University of Exeter Press, Flavius Josephus: Death of an Emperor; Talking to Virgil: A Miscellany; Historiography and Imagination: Eight Essays on Roman Culture and Roman Drama and Roman History.


Phlegon of Tralles' Book of Marvels

Exeter Studies in History

"Not only does this book contain a good translation of Phlegon’s Book of Marvels, but Hansen has also added translations of fragments of two other works by Phlegon, Olympiads (recounting the foundation of the Olympic Games), and Long-Lived Persons (which uses Roman census documents).  As such we get a truly representative feel for the literary output of this Greek freedman which certainly seems to have had an eager market . . .  Hanson’s commentary is superb for a book of the scale of the Exeter Studies in History series.  Each section is sanely analysed, with references to the Greek vocabulary chosen, parallel versions and their differences, and helpful modern bibliography.  The commentary makes interesting reading and reminds one of how immensely popular such collections were in the early empire. . .  Exeter University Press are to be commended for supporting the publication of what might appear at first sight a risky text with limited appeal.  I trust that its affordability and clear presentation will garner it wider attention."
Classical Review
, Vol xlIx no 2. 1999

"Characteristic of Hansen's work is not only that he places Phlegon's efforts in the context of the literature of the Roman empire, but also that he compares the reports by this author with similar miraculous reports from later, even modern times. . . Hansen has put us in his debt by making this neglected material accessible in such a convenient way."
Mnemosyne, Vol. LII, 1999

"Within the relics of paradoxography, the fragments of Phlegon of Tralleis, a freedman of the emperor Hadrian, are untypical and, for that very reason, of uncommon interest. William Hansen has done a valuable service in placing them within easy reach of the Greekless reader or student toiling in either of the neighbouring fields...anyone who needs to know about Phlegon has no hesitation in acquiring this handsomely produced and reasonably priced book...It is exactly the kind of resource needed to introduce students to the intriguing margins of ancient historiography."
Histos 1998

" Hansen's edition of the Phlegon fragments offers a good introduction to this author specifically but more generally allows us an insight into the under-valued and under-studied genre of paradoxography in antiquity."

"Some books have a headstart in being welcome simply for their existence and Hansen's text and accompaniments belong in that category."
Bryn Mawr Classical Review, 1997

"At a time when the study of marginality is popular, this book gives insight into ancient forerunners of the literary freak-show . . . The delight in the violation of the natural order in The Book of Marvels is kept within decent bounds by the sense that, although inexplicable, the monstrous can be deciphered, often to the benefit of the community." 
Times Literary Supplement, August 22, 1997

The Book of Marvels, a compilation of marvellous events of a grotesque, bizarre or sensational nature, was composed in the second century A.D. by Phlegon of Tralles, a Greek freedman of the Roman emperor Hadrian. This remarkable text is the earliest surviving work of pure sensationalism in Western literature.

The Book is arranged thematically: Ghosts; Sex-Changers and Hermaphrodites; Finds of Giant Bones; Monstrous Births; Births from Males; Amazing Multiple Births; Abnormally Rapid Development of Human Beings; Discoveries of Live Centaurs. This volume also contains and Introduction and commentary on the texts, as well as translations of fragments of two other works and a translation of Goethe's well-known vampire poem, The Bride of Corinth, which was inspired by Phlegon's Book of Marvels.

  • First translation into English of the earliest surviving work of pure sensationalism in Western literature
  • Includes an account of the founding of the Olympic Games, and extracts from the prophecies of the Sibylline Books
  • Market: Classicists; folklorists; scholars and students of comparative and popular literature; cultural and social historians. Academic libraries.
Author: William Hansen is Professor of Classical Studies and Folklore at Indiana University, Bloomington, USA. He is an expert on Greek and Roman folklore and the leading Phlegon specialist in the English-speaking world.

Plato and the City: A New Introduction to Plato's Political Thought

Plato and the City is a general introduction to Plato’s political thought.  It covers the main periods of Platonic thought, examining those dialogues that best show how Plato makes the city's unity the aim of politics and then makes the quest for that unity the aim of philosophy.  From the psychological model (the city is like a great soul) to the physiological definition (the city is a living being), the reader can traverse the whole of Plato's œuvre, and understand it as a political philosophy.

The book is designed to be an undergraduate textbook but will also be of interest to scholars.  It is the first English translation of Platon et la cité, published in French by Presses Universitaires de France in 1997 as part of the series Philosophies, and offers English-speaking readers access to a more unifying continental European reading of Plato than is common in UK or North American scholarship.  

  • An undergraduate textbook designed to provide a general introduction to the whole of Plato's political thought

  • Also of interest to scholars, offering new and challenging ideas

  • No other studies focus on the city as a central theme

  • "There is much learning in this short book, and rather a lot to be argued over." Professor Janet Coleman, London School of Economics and Political Science

Market: Students and scholars of political studies, philosophy, classical studies.  Students on some general Humanities courses.  Academic libraries.  General readers interested in philosophy and political thought.

Author: Jean-François Pradeau teaches the history of ancient philosophy at the University of Paris-X, Nanterre and previously taught philosophy at the Universities of Bordeaux and Strasbourg. 

Translator: Janet Lloyd is the best-known translator of French studies of the Classics in the UK.  Her translations include works by leading French scholars Luc Brisson, Claude Mossé and Jean-Pierre Vernant.

Foreword: Christopher Gill is Professor of Ancient Thought, University of Exeter.  His books include Form and Argument in Late Plato (OUP, 1996) and a translation of Plato, Symposium (Penguin, 1999).


Pliny’s Statue: The Letters, Self-Portraiture and Classical Art

"John Henderson’s Pliny’s Statue is a wonderful account of the complex interrelationship between art, text and self-portraiture in the letters of the Younger Pliny.  Written with Henderson’s characteristic richness of ideas, each page sparkling with original observations, this book denies us any easy pigeon-holing of word and image in Roman imperial culture.  Instead we are shown a confidant of emperors obsessed with his own monumentalization—both in his writings and in the art works he handles—whose concerns stand for an elite equally obsessed.  For the student of Roman art, this book explicates the purchase, display and inscriptional commentary on statues in Pliny’s world with a panache and subtlety that is quite unrivalled."

Jas Elsner, Corpus Christi College Oxford and author of Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity (1997)

John Henderson gives a completely fresh and enthusiastic re-reading of Pliny’s Letters, a basic text of the Latin literary canon.  Full Latin texts with new translations are given for the key texts studied.

From the Introduction by John Henderson: 

"The thread running throughout Pliny’s Statue is, for sure, that there are many more ways to relate to art than connoisseurship and expertise.  Looking hard (in words) at the verbalization of what is experienced visually is a sure-fire way to revalue relations with art that rest on the desire to incorporate imagery in kitting out our selves."

"So this is a study of an expressive phenomenon in Roman representation.  Here is a textual icon onto whose necessary absence the author writes his identity: his name and his life, doing duty for his style and for his writing."

"With Pliny’s Statue, you may get just one image to head a chapter, but there is plenty to imagine, and to imagine looking at."

"To imagine imagining is to feel your way into engagement with art as it comes alive through its appropriation for the stories we mean to tell each other; and the stories we swap about “our” stories, and what we are doing telling them, what they are doing to as well as for us, why we bother, and go on bothering."

John Henderson is Reader in Latin Literature, University of Cambridge and Fellow of Kings College Cambridge.  He is the author of many books, including Figuring Out Roman Nobility: Juvenal’s Eighth Satire (1997) and A Roman Life: Rutilius Gallicus on Paper and In Stone (1998), both published by University of Exeter Press.


Practical Ethics For Roman Gentlemen

"...welcome addition to the field of Valerian studies, . . . an important contribution to the study of Valerius and, more generally, to the place of exemplarity and the anecdote in the transmission of ideological values in Roman culture."
Journal of Roman Studies, Vol. LXXXVII, 1997

" Valerius Maximus was once a highly popular author: more manuscripts of his Facta et Dicta Memorabilia survive from the Middle Ages and the Renaissance than of the works of any other Greek or Latin prose author. Yet there is no modern English translation of his work (in 1995 Budé published a text with a French translation of the first three books) - which makes him useful for those of us wishing to see Latin unseens!

This early popularity and later neglect of Valerius is a phenomenon of the history of Classical Studies which deserves further study: what purposes were served by the widespread reading of this author in the early modern period; what does his disappearance from the educational curriculum, and from the canon of commonly-read authors, indicate of the changing role of Classics in the production of the educated élite of the West? Although the place of Valerius in the history of Classics has yet to be examined, there are signs that his period of neglect is coming to an end: in 1992 Bloomer's Valerius Maximus and the Rhetoric of the New Nobility was published, and now we have Skidmore's welcome addition to the field of Valerian studies.

S. takes issue with the currently dominant view which sees Valerius' aim in writing his book as primarily rhetorical, that is, that his intention was simply to provide a handy compendium of historical exempla for the use of making formal speeches. S's. contention is that it is more useful to turn our attention from rhetoric to the wider context of ethics in general: he views Valerius' work as providing moral guidance for élite Roman men by providing them with examples of good or bad behaviour by comparison with which they could decide on their own best course of action in any life's crises. To this end S. provides a detailed analysis both of the stories which Valerius chooses to include and of the authorial comment which contextualizes them and orientates the reader's reception and interpretation of them.

S. has perhaps gone too far in his polemical rejection of the relevance of oratory to Valerius: it is worth remembering the centrality of public speaking for élite Roman men and therefore the extent to which to make a speech in the proper form and enunciating the right attitudes was itself to embody and exemplify the correct performance of Roman manhood. His book is, however, a useful corrective and an important contribution to the study of Valerius and, more generally, to the place of exemplarity and the anecdote in the transmission of ideological values in Roman culture."
Journal of Roman Studies, Volume 87 1997

". . . an important contribution to the study of Valerius and, more generally, to the place of exemplarity and the anecdote in the transmission of ideological values in Roman culture."
Journal of Roman Studies, 87 (1997)

"This book has a number of advantages. Unlike Valerius, it is extremely accessible: the argument is broken down into brief chapters, and translations follow the quotations. It provides a good introductory discussion to the centrality of exempla in Roman life and thought, and it offers a challenge to the traditional approach to Valerius."Bryn Mawr Classical Review

PRACTICAL ETHICS FOR ROMAN GENTLEMEN is a collection of historical anecdotes written during the reign of the Emperor Tiberius in the fist century A.D. The book aims to redefine the significance of the work of Valerius Maxiums, author of The Memorable Deeds of the Men of Rome and Foreign Nations and is likely to become the standard reference work on this author.

Dr Skidmore argues that modern scholarship's view of Valerius' work as a mere source-book for rhetoricians is misconceived. The popularity of the work during the Middle Ages and Renaissance was due to its value to the readers of those times as a source of moral exhortation and guidance which was as relevant to them as it had been to Valerius' contemporaries.

The wider appeal of the book lies in its examination of earlier forms of exemplary literature, in its discussion of how Roman literature was communicated to its audience, and in its original theory concerning the identity of Valerius Maximus himself.

Readership: University libraries; scholars, researchers, undergraduates and postgraduates in Classical Studies; the general reader with an interest in classical literature.

CLIVE SKIDMORE is currently employed in local government in the West Midlands.


The Provincial at Rome

"The editor  . . . deserves congratulations not simply for making these interesting works available but also for partly rectifying the incomplete state of the footnotes left behind by the author."
Phoenix, 2002

"Antony Birley and his Dusseldorf team have done a fine job in editing and presenting Syme's manuscript - clearly a considerable responsibility ... This is a fascinating book, and can be highly recommended ... it deserves attention as an historiographical gem, of enormous interest and importance in helping us understand Syme's development to become one of the greatest modern authorities on imperial Rome."
Bryn Mawr Classical Review, 00.06.14

This volume offers a new insight into the development of a great historian, as well as giving an exciting and immensely readable new approach to late Republican and early Imperial Roman history. Drafted in 1934-35, but laid aside in favour of The Roman Revolution (1939), The Provincial at Rome was to have been Ronald Syme's first book. It is a brilliantly written study of the enlargement of the Roman élite in the early empire, an analysis, in thirteen chapters, of the Emperor Claudius' enrolment of 'Gallic chieftains' into the Senate in AD 48. The edition also includes five unpublished papers dealing with Rome's conquest of the Balkans, a region Syme knew intimately.

"This is terrific. Syme wrote The Provincial at Rome when he was 31, with all the bravura of a brilliant young scholar confident of his powers and enjoying the opportunity to display them. Anthony Birley has done an excellent and appropriate editing job."
Professor T.P. Wiseman, University of Exeter

Market: Scholars and graduate students of classical studies and historiography. Historians of Rome. Academic libraries.

Author: Sir Ronald Syme was regarded long before his death in 1989 as the twentieth-century's pre-eminent historian of ancient Rome. He was Fellow of Trinity College, Oxford, 1929-49; Professor of Classical Philology, Istanbul, 1942-45; Camden Professor of Ancient History and Fellow of Brasenose College, Oxford, 1949-70; Fellow of Wolfson College, Oxford, 1970-1989.

Editor: Anthony Birley is Professor of Ancient History in the University of Dusseldorf and was previously Professor of Ancient History in the University of Manchester. He is the author of many books on Rome and editor of Syme's Roman Papers III-VII and Anatolica.

CONTENTS 

Editor's Introduction
The Provincial at Rome
1 Introduction
2 The Evidence
3 Admission to the Senate
4 Provincial Senators before Augustus
5 Provincial Senators before AD 48
6 Prejudice against Provincials
7 The Virtues of Provincials
8 Roman and Provincial in Spain and Narbonensis
9 'Italicus es an provincialis?'
10 Gallia Comata
11 Claudius' Speech in Tacitus
12 The 'Oratio Claudii Caesaris'
13 New Light on Tiberius and Gaius
Additional Notes:
A Spanish senators before AD 48
B Senators from Gallia Narbonensis before AD 48
C Eastern senators before AD 48
Rome and the Balkans
1 Macedonia and Dardania, 80-30 BC
2 Proconsuls of Macedonia, 80-50 BC
3 The Status of Illyricum, 80-60 BC
4 Caesar's Designs on Dacia and Parthia
5 The Early History of Moesia


The Roman Alexander: Reading a Cultural Myth

Exeter Studies in History

This book seizes on one of the eternal objects of widespread attention in Ancient History and turns the tables on the scholarship that has shaped and dominated the field. 

Instead of scrutinising the documents in order to reconstruct the biography and assess the historical significance, Diana Spencer traces the deployment and development of the mythical figure of Alexander.  She explores and synthesises a selection of Latin texts, from the Late Republic to Hadrian, to form a series of themed discussions which investigate the cultural significance of Alexander for Rome. 

The selected texts—drawn from verse and prose, history, epic and oratory—are presented alongside their English translation, and provide an insight into a world where to think about Alexander was to engage with the burning ideological issues of Rome during a period of intense and often violent political and cultural change.  The book makes clear how particular texts and issues may be readily accessed, providing a valuable resource for teachers and their students, whilst also offering a new approach to cultural histories of Rome and Alexander.

Author: Diana Spencer is a Lecturer in Classics at the University of Birmingham.


Roman Domestic Buildings

Exeter Studies in History

"A book that can serve excellently as an introduction to the studies of Roman private houses, either for undergraduate students in archaeology or for general readers with an interest in ancient culture. The authors succeed in transmitting important information concerning the way of living in countryside and town, not only in Italy but also in the remote regions of the empire."
Mnemosyne, Vol. LII, 1999

" . . . deals with topics that are important for any teacher of Latin or Classical Civilisation, while its scale and clarity of organization make it accessible to sixth-formers."
JACT Review, Summer 1998

". . . a useful starting place. Unfamiliar words are collected in a glossary, and notes to each chapter provide references to some of the more specialist works. An index of sites serves as a guide to finding discussion of them in the text and to their location on four maps. The text is amplified by black and white plates and a generous number of line drawings, the latter generally placed conveniently close to the discussion. A guide to further reading is also included . . ."
The Classical Review, Vol. XLVIII, No. 1, 1998

"In format, price, and tone the book easily succeeds (like its forerunner companion, Roman Public Buildings) in divulging a great deal of information in accessible terms."
Greece and Rome, 44.2 (October 1997)

"The rich variety of buildings across the Roman Empire is cleverly explored by the authors, the similarities and the differences being equally fascinating . . . One fascinating element to emerge is the Romans' love of their gardens. How timeless seem some of the attempts to include garden space in densely populated urban areas." British Archaeology

A companion to Roman Public Buildings, this volume completes the architectural picture of Roman society by looking at the political, social and economic significance of residential buildings of all kinds. The book includes a chapter by Nicholas Purcell on gardens and luxury estates. The book is fully illustrated, and an index of sites with reference maps and a glossary is included.

Readership: Advanced level students and undergraduates taking courses in Roman and Greek civilisation and Roman architecture. An informative text for students studying with the Open University. The book is also accessible to the interested general reader.

IAN BARTON was until his retirement Head of Classics at University of Wales, Lampeter.


Roman Drama and Roman History

Exeter Studies in History

In this sequel to HISTORIOGRAPHY AND IMAGINATION, Professor Wiseman explores the question of how the Romans understood their own past and the role of early drama in generating and transmitting legends.

The first six of the book's twelve essays are concerned with stories and scenarios in the surviving literature which are best explained as having been first created for the stage. The other essays discuss the family traditions of Roman aristocrats, the rites of spring enjoyed by the Roman plebs, the use of Roman history in the radical politics of the nineteenth century, and how a great modern Roman historian exploited the novelist's art. The book is designed to be accessible to anyone with an interest in the ancient world, and all Latin and Greek is translated.

"Wiseman is a master of constructive fiction, and everything he writes is exhilarating. In fact, it would be hard to think of an ancient historian whose work is beter designed both to inspire advanced students with a sense of what impressive edifices can be constructed with bricks so short on straw-and also to hone their skills at testing, if necessary to destruction, the weak links in chains of overextended argumentation."
Times Literary Supplement, May 28, 1999

"This collection of essays demonstrates great depth and breadth of knowledge in the areas of Roman history, literature, culture, and archaeology, as well as exceptional analytical skill and creative imagination, which contemporary historians of republican Rome have come to associate with the name of T.P. Wiseman."
Bryn Mawr Classical Review, 98.12.14

". . . this volume is no disappointment, dealing as it does with two controversial and interlocking themes: the origin of the historical tradition on early Rome, and the nature of drama and dramatic festivals in the Roman Republic. . . Wiseman is a fine writer for many reasons. He produces interesting and compelling theories for the specialist and yet never loses the common touch. Indeed, this book, in which all Latin and Greek is translated, has a style which should appeal, as the publisher intends on the back cover, to "anyone with an interest in the ancient world."
Scholia Reviews ns 8 (1999) 8

"Wiseman is one of the most imaginative and challenging historians of Rome in the world. This book will be a major contribution to Roman studies."
Dr Mary Beard, Newnham College, Cambridge

  • Useful undergraduate teaching text
  • Accessible to anyone with an interest in the ancient world

Market: Scholars, teachers, students and researchers in the field of Classical Studies and Ancient History. Academic libraries. The general reader with an interest in the Classical world.

Author: Peter Wiseman is Professor of Classics at the University of Exeter and a Fellow of the British Academy. His most recent book was described by the London Review of Books as "enthralling" and by the Times Literary Supplement as "quite simply brilliant".


A Roman Life: Rutilius Gallicus On Paper and In Stone

Exeter Studies in History

"Henderson brilliantly capitalises on the survival of both an inscription and a poem (Statius, Silvae 1. 4) about the high-ranking Rutilius Gallicus, the emperor Domitian’s urban prefect.  With this rare collusion of epigraphical and literary criticism he takes us on a dazzling excursion through Roman social and cultural history and imperial politics and poetics.  The book also draws attention to the importance of Statius’ Silvae as significant lyrical and cultural productions of Domitian’s reign."
Professor Carole Newlands, Department of Classics, University of Wisconsin-Madison

Some will feel that Henderson at times reads too much into the poem, but the reader of  Statius must be sensitive to a variety of levels of subtlety. . . The notes themselves provide a full accounting of the intertextual references that abound in any Statian poem.  All Latin is translated in a style that is true to Statius’ mixture of wit and hyperbole.  It would not be Henderson without some neat wordplay.  My favourite?  Commenting on Statius account of Gallicus’ cure at the hands of Apollo and Aesculapius, Henderson writes, ‘Not dead, just Asclepe!’
Classical Review
. Vol 50, no 1. 2000

"Henderson's analysis of the poem is excellent. There are the perceptive linguistic, stylistic and poetic analyses one associates with his work. In addition, there is an in-depth study of the mechanisms of the mythology of the piece, with illuminating comments on the concept of prayer in the work. We are warned that he might be writing 'skittishly' (p.16): this is a danger for the unwary and the pedestrian. But for the attentive reader the book sparkles with Donne-like or metaphysical conceits, helping to pin Statius' verbal dexterity down. And comparisons drawn from other poets, such as Horace on Maecenas, support what is deduced about Gallicus' relationship with Domitian."
Scholia 8, 1999

" . . . like Statius' poem, erudite and entertaining, a salon piece."
JACT Review, Autumn 1998

Rutilius Gallicus was chief of police, poet and courtier of the Roman Emperor Domitian. He is a unique figure in that he can be studied in detail through both text and inscription, thereby fusing literature with history, and linking poetry with epigraphy. His recovery from a critical illness was celebrated in a sparkling poem by Statius, the poet laureate whose work is currently being read with new interest.

As well as taking the reader on a tour across the city of Rome and the provinces, and through Flavian history and culture, Gallicus is by turns a sternly formal public servant, a delicate amateur poet and speaker, a workaholic chasing an early grave, the darling of his people, the strong-man of his tyrant Emperor, the miraculously resurrected patient of Apollo and a soldier-hero of the empire. How long could his luck last?

  • Suitable for all levels of study; all Greek and Latin is translated
  • Accessible and entertaining insight into imperial Rome
  • Established but controversial author

Market: University and advanced school students of Classical studies, ancient history, cultural history. For courses on imperial Rome, social history, introductions to epigraphy, Flavian poetry. Classical scholars. Academic libraries.

Author: John Henderson is Reader in Latin Literature, University of Cambridge and Fellow of King's College, Cambridge. He is the author of Figuring Out Roman Nobility: Juvenal's Eighth 'Satire' (Exeter, 1997) and (with Mary Beard) Classics: A very short introduction (Oxford, 1995).


Roman Political Life, 90BC-AD69

Three related essays by well-known ancient historians on the nature of Roman politics in the late Republic and the Julio-Claudian period.


Roman Public Buildings

Exeter Studies in History

"Here is a concise and useful book covering all aspects of Roman public buildings . . . I found myself enthralled by the articles on buildings for entertainment and aqueducts. Both are fascinating in detail and range and particularly lucidly written. Its clear layout and comprehensive indexing make it a useful handbook for anyone and I was particularly impressed with the glossary which deals well with obscure detail but does not by-pass the apparently obvious. Figures and plates are well selected and clear and all the sites described are illustrated." 
JACT Review

Roman Public Buildings was first published in the Exeter Studies in History series in 1989. It examines the development of Roman architecture and the significance of different types of buildings for the political, social and economic history of the period. A glossary of technical terms is included.

Readership: Advanced level students and undergraduates taking courses in Roman and Greek civilisation and Roman architecture. An informative text for Open University students. The book is also accessible to the interested general reader.

IAN BARTON was until his retirement Head of Classics at University of Wales, Lampeter.


Satire and Society in Ancient Rome

Exeter Studies in History

This volume explains how satire can and cannot be used as a source for Roman social history: the possibilities and the limitations. The principal themes of friendship, city and country life, the law, food and women are explored.


Scythians and Greeks

Scythians and Greeks focuses on the ancient history of the northern Black Sea region: a major ‘new frontier’ of Classical studies. 

The book presents a series of engagements with key themes bearing on cultural interactions within the region, from archaic Greek colonial settlement (approx. sixth century BC) down to the region’s inclusion within the Roman imperial system (first century AD).  By bringing together contributors from Russia, Ukraine and Georgia, the book makes available material and ideas which are either wholly new or known only to a very limited circle of specialists.  The particular focus is on the relationships which developed, in peace and war, between the local peoples of the region (conventionally termed “Scythians”) and the cultures of the classical Graeco-Roman world.

  • New basic evidence—and new interpretations—presented in an interesting mix of ancient history and archaeology

  •   Sets a historical context for the famous gold artefacts of the Scythians

  •   Opens the region to a wider audience . . . provides a starting point for engagement with the region

  •   Since the collapse of the Soviet Union, a new impetus has been given to scholarly collaboration between western scholars and those from Russia and Ukraine

Market: Ancient history; classical studies; archaeology.  There has been a sharp growth in interest in the region since the fall of the USSR.  Primarily a book for scholars in the field, although it will be of interest to third-year undergraduate and postgraduate students as well.  Academic libraries. 

Editor: David Braund is Professor of Black Sea and Mediterranean History, University of Exeter.  He is the author of Georgia in Antiquity (OUP 1994) and editor of three books for UEP: The Administration of Roman Britain (1988), Athenaeus and his World (with John Wilkins, 2000) and Myth, History and Culture in Republican Rome (with Chris Gill, 2003).

CONTENTS

Introduction, David Braund

E.H. Minns and M.I. Rostovtzeff: glimpses of a Scythian friendship, Gregory Bongard-Levin, Head of Ancient History at the Institute of History, Moscow, and a full Academician

Key points in Scythian history, V.Yu. Murzin, Head of the Scythian Department of the Institute of Archaeology, Kiev

Scythian kings and “royal” burial-mounds of the fifth and fourth centuries BC, A.Yu. Alekseyev, Head of Scythian Collection, Hermitage Museum, St Petersburg

Masters and workshops of the jewellery and toreutics from fourth century Scythian burial mounds,

Mikhail Treister, Humboldt Fellow in Germany in recent years, after a long career in Moscow museums

Snake-limbed and tendril-limbed goddesses in the art and mythology of the Mediterranean and Black Sea, Yulia Ustinova, Lecturer, Ben Gurion University, Israel, following a career in the Academy of Sciences, Moscow

Who were the “Scythian” archers on archaic Attic vases?, A.I. Ivanchik, Institute of General History, Moscow and University of Bordeaux

Bobbies or boobies? The Scythian police force in Classical Athens, Balbina Baebler, Honorary Fellow in Classics at University of Exeter

Olbia and the Scythians in the fifth century B.C.: the Scythian “protectorate”, S.D. Kryzhitskiy, Head of the Classical Department of the Institute of Archaeology, Kiev, and Director of the main Greek site in Ukraine (ancient Olbia)

The lower Dnieper region as an area of Greek/Barbarian interaction, Valeria Bylkova, Head of the Classical Section, Kherson Museum

The civic frontiers of Tauric Chersonesus in the fourth century B.C., M.I. Zolotaryov

North-east Azov in the Scythian period: a sketch, K.K. Marchenko, Institute of the History of Material Culture, St Petersburg

The Development of Graeco-barbarian contacts in the chora of the European Bosporus (sixth–first centuries), A.A. Maslennikov, Institute of Archaeology, Moscow

A new inscription from Scythian Neapolis: the tomb of Argotas, lord of horse-rearing Scythia,

Yu.G. Vinogradov, latterly Institute of History, Moscow and Yu.P. Zaytsev, a Crimean excavator

Thrace and the Bosporus under the early Roman emperors, Sergey Saprykin, Institute of History, Moscow

The Crimean Campaign of Tiberius Plautius Silvanus, V.M. Zubar, Institute of Archaeology, Kiev

Bibliography


Talking To Virgil

"Professor Wiseman in these essays bears his own learning lightly, and his hope that, just as it was written for pleasure, "this is a book to be read for pleasure", deserves to be fulfilled . . ."
Times Literary Supplement

"This is a delightful book, one which amply demonstrates how versatile Wiseman is, from cartography to the sonnets of Hopkins, dabbling in depth, always to be taken seriously, always securely grounded in scholarly evidence ... The book is accessible to the classical civilisation student and the non-specialist reader." Scholia

"... the collection contains a number of essays which in the final analysis should encourage readers of this journal to think about the classical tradition in new and potentially profitable ways ... Wiseman writes with clarity and grace, and the balanced fairness with which he sketches the superficiality of Baddeley and the eccentricities of Knight allows the reader to encounter them as interesting figures in their own right. What is more, the essays printed here suggest that there can be more to the study of the Classical tradition than we generally acknowledge." International Journal of the Classical Tradition


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