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"Thorough research and extensive reference to archival sources have resulted in a clear and interesting account of how the teaching of Latin has changed and why." J
ACT Review
The Cambridge School Classics Project is widely recognised as one of the most successful of the British curriculum development projects of the 1960s and 1970s. Until now its full story has never been written. Its impact on the way Latin is taught in schools has been remarkable and its development of courses in Greek and Roman civilisation have also made an important contribution to the humanities curriculum of schools.
The main focus of this historical study is on the origins and operations of the Project during its full-time existence 1966 to 1970, although attention is also paid to later developments.
Readership: Educationists, expecially those involved in the history of curriculum development, teachers of Classical studies; the interested general reader, especially those who used the Project's materials at school.
MARTIN FORREST is Principal Lecturer in the Faculty of Education, University of the West of England, Bristol. He is also the Deputy Director of the Cambridge School Classics Project.
Myth,
History and Culture
In
this collection of essays, an international team of outstanding scholars
engage with the ideas and methods of Professor Peter
Wiseman’s past and present work.
They provide a sustained response to the work of one of the most
widely respected Roman historians of this generation.
The
contributions range over myth (Corialanus and Remus), the interplay between
historiography, literature and myth-making (on Cleopatra, for instance), and
art and story-telling at Boscoreale. They
explore Roman drama (Pacuvius) and links between drama and Virgil’s Aeneid;
they discuss Catullus in Bithynia and Cicero on Greek and Roman culture.
Professor
Wiseman has been at the forefront of innovative research in Roman history,
historiography, literature in context, drama and myth, for many years.
His work is marked by the combination of a powerful historical
imagination with an acute sense of the limitations of our knowledge and of
the need to negotiate with the complexity of our sources.
Exciting collection of new work and wide range of topics
First-class
line-up of international scholars: Francis
Cairns, Filippo Coarelli, Edward Champlin, Tim Cornell, Michael
Crawford, Elaine Fantham, Karl Galinsky, Erich Gruen, Nicholas Purcell,
Mario Torelli, Susan Treggiari, Tony Woodman, James Zetzel.
Peter Wiseman is a highly respected and much-liked scholar
Market:
Scholars
of Roman history, literature and culture.
Postgraduate and some
undergraduate students taking courses in Roman history, literature and
culture. Past students of T.P.
Wiseman. Academic libraries.
General readers with an interest in the subject.
Editors: David
Braund is Professor of Black Sea and Mediterranean History, University of
Exeter; Christopher Gill is Professor of Ancient Thought, University of
Exeter.
Contents
and Contributors
Introduction:
Chapter
1 Becoming
Historical – the Roman Case
Chapter
2 Remoria (in English translation)
Chapter
3 Land and People
in Republican Italy
Chapter
4 Coriolanus:
Myth, History and Performance
Chapter
5 Pacuvius: Melodrama,
Reversals and Recognition.
Elaine Fantham (Princeton University)
Chapter
8
Catullus – in and about Bithynia
Chapter
9 Poems
to Historians: Catullus 1 and Horace Odes 2.1. A.J. Woodman (University of Durham)
Chapter
11 Cleopatra in
Rome: Facts and Fantasie
Elaine Fantham: 'An Appreciation of T.P. Wiseman'
T.P. Wiseman: 'Autobiographical sketch'
Bibliography of T.P.Wiseman
‘Wiseman
is a master of constructive fiction, and everything he writes is
exhilarating. In fact, it
would be hard to think of an ancient historian whose work is better
designed to inspire...’ Times
Literary Supplement
on Roman Drama and Roman History (University of Exeter Press)
‘There
was once a dream that was Rome.’ So says the old emperor Marcus Aurelius in Ridley Scott’s
epic Gladiator. It was a Rome of free citizens, brave, incorruptible, loved
by the gods. It had its own
myths, the stories that defined what the Romans were, and in due course it
achieved mythic status itself. The
myths of Rome have inspired artists, writers and statesmen throughout the
ages: from Botticelli’s ‘Primavera’ and Shakespeare’s Roman plays
to Machiavelli’s Discourses and Addison’s Cato – a key
text for the founding fathers of the American revolution.
And
yet, while a wealth of material dealing with Greek myth exists, the
myths of Rome are a neglected topic.
Some authorities have even claimed that the Romans had no mythology
at all.
Wiseman’s
remarkable new contribution to this almost totally unexplored field is
highly illustrated and characteristically ambitious in its threefold
purpose:
to
collect, and present in readable and accessible form, the neglected
evidence for Roman myths, both iconographical and literary,
to
attempt to trace the development of the Roman story-world over time,
from the sixth century BC to the second AD,
to
explore its ‘afterlife’ in western culture from the Renaissance to
the present day, with generous illustration of the visual evidence
from ancient and post-Renaissance sources.
Market: Anyone
interested in myths and mythology – this book has been written and
designed with the general reader in mind. Students of Roman history from
school level upwards, and their teachers.
Students and teachers of myth and folklore at undergraduate and
graduate level. Specialists
in Roman history and myth. Anyone
interested in the portrayal of myth in art.
Author: Peter Wiseman is Professor of Classics at the University of Exeter and a Fellow of the British Academy. Reviews of his books include the following comments: ‘quite simply brilliant’ (Times Literary Supplement), ‘enthralling’ (London Review of Books), ‘stylistic elegance and wit, dazzling erudition and imaginative flair’ (Classical Review), ‘exceptional analytical skill and creative imagination’ (Bryn Mawr Classical Review).
Some
comments on The Myths of Rome:
‘This
is a book… that will send reviewers into rage or rapture; it will tread
a path of idiosyncratic theoretical non-theory… and I think I will hate
it; but it will be a memorable book all the same.’
‘Wiseman
has set out to change our picture of early Roman civilization by making
clear how myth worked within it.’
‘Wiseman’s
broad competence – even in Renaissance history and modern letters, and
at the end, in the history of film – is magisterial…’
‘His
book will appeal to a broad readership, certainly to college students, but
every Romanist will want a copy too.’
‘Classical
myth, meaning really “Greek myth”, is an enormously popular course in
American universities… Wiseman’s book will cater for a corresponding
“Roman myth” course, not possible currently because of the lack of a
text.’
‘There
really is no competition for this book…’
‘A major contribution to the current re-evaluation of Roman
culture…’
‘The
way we treat the myths and fables of Rome is in need of serious revision
and Wiseman is clearly the scholar to do it.’
‘This
is a wonderfully rich and original book…’
‘The
work is fresh and original in content, style, method and approach, and
nothing quite like it exists in any language.’
‘A
great deal of the book consists of story-telling, and is written in an
attractive and deceptively simple narrative style, recalling that of books
of “fairy-tales”. This mode of presentation … is appropriate for a
21st-century readership for most of whom the traditional stories of
ancient Rome are unfamiliar territory.’
‘By
an imaginative effort of reconstruction [Wiseman presents] to the reader
the history of Rome… “from the People’s point of view”. This has
never been done before by anyone using the full panoply of modern
scholarship and the full range of available material… of which
Wiseman’s knowledge is unrivalled.’
Remus:
A Roman Myth
(CUP); the recently reissued Clio’s Cosmetics: Three Studies in
Greco-Roman Literature (Bristol Phoenix Press); and, with University
of Exeter Press, Flavius Josephus: Death of an Emperor; Talking
to Virgil: A Miscellany; Historiography and Imagination: Eight
Essays on Roman Culture and Roman Drama and Roman History.
Exeter Studies in History
"Not only does
this book contain a good translation of Phlegon’s Book of Marvels, but Hansen has also added translations of fragments
of two other works by Phlegon, Olympiads
(recounting the foundation of the Olympic Games), and Long-Lived Persons (which uses Roman census documents).
As such we get a truly representative feel for the literary output of
this Greek freedman which certainly seems to have had an eager market . . .
Hanson’s commentary is superb for a book of the scale of the Exeter
Studies in History series. Each
section is sanely analysed, with references to the Greek vocabulary chosen,
parallel versions and their differences, and helpful modern bibliography.
The commentary makes interesting reading and reminds one of how
immensely popular such collections were in the early empire. . .
Exeter University Press are to be commended for supporting the
publication of what might appear at first sight a risky text with limited
appeal. I trust that its
affordability and clear presentation will garner it wider attention."
Classical Review, Vol xlIx no 2. 1999
"Characteristic of Hansen's work is not only that he places Phlegon's efforts in the context of the literature of the Roman empire, but also that he compares the reports by this author with similar miraculous reports from later, even modern times. . . Hansen has put us in his debt by making this neglected material accessible in such a convenient way."
Mnemosyne, Vol. LII, 1999
"Within the relics of paradoxography, the fragments of Phlegon of Tralleis, a freedman of the emperor Hadrian, are untypical and, for that very reason, of uncommon interest. William Hansen has done a valuable service in placing them within easy reach of the Greekless reader or student toiling in either of the neighbouring fields...anyone who needs to know about Phlegon has no hesitation in acquiring this handsomely produced and reasonably priced book...It is exactly the kind of resource needed to introduce students to the intriguing margins of ancient historiography."
Histos 1998
" Hansen's edition of the Phlegon fragments offers a good introduction to this author specifically but more generally allows us an insight into the under-valued and under-studied genre of paradoxography in antiquity."
"Some books have a headstart in being welcome simply for their existence and Hansen's text and accompaniments belong in that category."
Bryn Mawr Classical Review, 1997
"At a time when the study of marginality is popular, this book gives insight into ancient forerunners of the literary freak-show . . . The delight in the violation of the natural order in The Book of Marvels is kept within decent bounds by the sense that, although inexplicable, the monstrous can be deciphered, often to the benefit of the community."
Times Literary Supplement, August 22, 1997
The Book of Marvels, a compilation of marvellous events of a grotesque, bizarre or sensational nature, was composed in the second century A.D. by Phlegon of Tralles, a Greek freedman of the Roman emperor Hadrian. This remarkable text is the earliest surviving work of pure sensationalism in Western literature.
The Book is arranged thematically: Ghosts; Sex-Changers and Hermaphrodites; Finds of Giant Bones; Monstrous Births; Births from Males; Amazing Multiple Births; Abnormally Rapid Development of Human Beings; Discoveries of Live Centaurs. This volume also contains and Introduction and commentary on the texts, as well as translations of fragments of two other works and a translation of Goethe's well-known vampire poem, The Bride of Corinth, which was inspired by Phlegon's Book of Marvels.
Plato
and the City: A New Introduction to Plato's Political Thought
Plato and the City
is a general introduction to Plato’s political thought. It covers the main periods of Platonic thought, examining
those dialogues that best show how Plato makes the city's unity the aim of
politics and then makes the quest for that unity the aim of philosophy.
From the psychological model (the city is like a great soul) to the
physiological definition (the city is a living being), the reader can
traverse the whole of Plato's œuvre, and understand it as a political
philosophy.
The
book is designed to be an undergraduate textbook but will also be of
interest to scholars. It is the
first English translation of Platon et la cité, published in French
by Presses Universitaires de France in 1997 as part of the series Philosophies,
and offers English-speaking readers access to a more unifying continental
European reading of Plato than is common in UK or North American
scholarship.
An undergraduate textbook designed to provide a general introduction to the whole of Plato's political thought
Also of interest to scholars, offering new and challenging ideas
No other studies focus on the city as a central theme
"There is much learning in this short book, and rather a lot to be argued over." Professor Janet Coleman, London School of Economics and Political Science
Market: Students
and scholars of political studies, philosophy, classical studies.
Students on some general Humanities courses.
Academic libraries.
General readers interested in philosophy and political
thought.
Author:
Jean-François Pradeau teaches the history of ancient philosophy at the
University of Paris-X, Nanterre and previously taught philosophy at the
Universities of Bordeaux and Strasbourg.
Translator:
Janet Lloyd is the best-known translator of French studies of the
Classics in the UK.
Her translations include works by leading French scholars Luc Brisson,
Claude Mossé and Jean-Pierre Vernant.
Foreword:
Christopher Gill is Professor of Ancient Thought, University of Exeter.
His books include Form and Argument in Late Plato (OUP, 1996)
and a translation of Plato, Symposium (Penguin, 1999).
"John
Henderson’s Pliny’s Statue is a wonderful account of the complex
interrelationship between art, text and self-portraiture in the letters of
the Younger Pliny.
Written with Henderson’s characteristic richness of ideas, each
page sparkling with original observations, this book denies us any easy
pigeon-holing of word and image in Roman imperial culture.
Instead we are shown a confidant of emperors obsessed with his own
monumentalization—both in his writings and in the art works he
handles—whose concerns stand for an elite equally obsessed.
For the student of Roman art, this book explicates the purchase,
display and inscriptional commentary on statues in Pliny’s world with a
panache and subtlety that is quite unrivalled."
Jas
Elsner, Corpus Christi College Oxford and author of Art and the Roman
Viewer: The Transformation of Art from the Pagan World to Christianity (1997)
John
Henderson gives a completely fresh and enthusiastic re-reading of Pliny’s Letters,
a basic text of the Latin literary canon.
Full Latin texts with new translations are given for the key texts
studied.
From the Introduction by John
Henderson:
"The
thread running throughout Pliny’s Statue is, for sure, that there
are many more ways to relate to art than connoisseurship and expertise.
Looking hard (in words) at the verbalization of what is
experienced visually is a sure-fire way to revalue relations with art that
rest on the desire to incorporate imagery in kitting out our selves."
"So
this is a study of an expressive phenomenon in Roman representation.
Here is a textual icon onto whose necessary absence the author writes
his identity: his name and his life, doing duty for his style and for
his writing."
"With
Pliny’s Statue, you may get just one image to head a chapter, but
there is plenty to imagine, and to imagine looking at."
"To
imagine imagining is to feel your way into engagement with art as it comes
alive through its appropriation for the stories we mean to tell each other;
and the stories we swap about “our” stories, and what we are doing
telling them, what they are doing to as well as for us, why we bother, and
go on bothering."
John
Henderson is Reader in Latin Literature, University of Cambridge and Fellow
of Kings College Cambridge. He
is the author of many books, including Figuring Out Roman Nobility:
Juvenal’s Eighth Satire (1997) and A Roman Life: Rutilius Gallicus
on Paper and In Stone (1998), both published by University of Exeter
Press.
" Valerius Maximus was once a highly popular author: more manuscripts of his Facta et Dicta Memorabilia survive from the Middle Ages and the Renaissance than of the works of any other Greek or Latin prose author. Yet there is no modern English translation of his work (in 1995 Budé published a text with a French translation of the first three books) - which makes him useful for those of us wishing to see Latin unseens!
This early popularity and later neglect of Valerius is a phenomenon of the history of Classical Studies which deserves further study: what purposes were served by the widespread reading of this author in the early modern period; what does his disappearance from the educational curriculum, and from the canon of commonly-read authors, indicate of the changing role of Classics in the production of the educated élite of the West? Although the place of Valerius in the history of Classics has yet to be examined, there are signs that his period of neglect is coming to an end: in 1992 Bloomer's Valerius Maximus and the Rhetoric of the New Nobility was published, and now we have Skidmore's welcome addition to the field of Valerian studies.
S. takes issue with the currently dominant view which sees Valerius' aim in writing his book as primarily rhetorical, that is, that his intention was simply to provide a handy compendium of historical exempla for the use of making formal speeches. S's. contention is that it is more useful to turn our attention from rhetoric to the wider context of ethics in general: he views Valerius' work as providing moral guidance for élite Roman men by providing them with examples of good or bad behaviour by comparison with which they could decide on their own best course of action in any life's crises. To this end S. provides a detailed analysis both of the stories which Valerius chooses to include and of the authorial comment which contextualizes them and orientates the reader's reception and interpretation of them.
S. has perhaps gone too far in his polemical rejection of the relevance of oratory to Valerius: it is worth remembering the centrality of public speaking for élite Roman men and therefore the extent to which to make a speech in the proper form and enunciating the right attitudes was itself to embody and exemplify the correct performance of Roman manhood. His book is, however, a useful corrective and an important contribution to the study of Valerius and, more generally, to the place of exemplarity and the anecdote in the transmission of ideological values in Roman culture."
Journal of Roman Studies, Volume 87 1997
". . . an important contribution to the study of Valerius and, more generally, to the place of exemplarity and the anecdote in the transmission of ideological values in Roman culture."
Journal of Roman Studies, 87 (1997)
"This book has a number of advantages. Unlike Valerius, it is extremely accessible: the argument is broken down into brief chapters, and translations follow the quotations. It provides a good introductory discussion to the centrality of exempla in Roman life and thought, and it offers a challenge to the traditional approach to Valerius."Bryn Mawr Classical Review
PRACTICAL ETHICS FOR ROMAN GENTLEMEN is a collection of historical anecdotes written during the reign of the Emperor Tiberius in the fist century A.D. The book aims to redefine the significance of the work of Valerius Maxiums, author of The Memorable Deeds of the Men of Rome and Foreign Nations and is likely to become the standard reference work on this author.
Dr Skidmore argues that modern scholarship's view of Valerius' work as a mere source-book for rhetoricians is misconceived. The popularity of the work during the Middle Ages and Renaissance was due to its value to the readers of those times as a source of moral exhortation and guidance which was as relevant to them as it had been to Valerius' contemporaries.
The wider appeal of the book lies in its examination of earlier forms of exemplary literature, in its discussion of how Roman literature was communicated to its audience, and in its original theory concerning the identity of Valerius Maximus himself.
Readership: University libraries; scholars, researchers, undergraduates and postgraduates in Classical Studies; the general reader with an interest in classical literature.
CLIVE SKIDMORE is currently employed in local government in the West Midlands.
"The
editor .
. . deserves congratulations not simply for making these interesting works
available but also for partly rectifying the incomplete state of the
footnotes left behind by the author."
Phoenix, 2002
"Antony Birley and his Dusseldorf team have done a fine job in editing
and presenting Syme's manuscript - clearly a considerable responsibility ...
This is a fascinating book, and can be highly recommended ... it deserves
attention as an historiographical gem, of enormous interest and importance
in helping us understand Syme's development to become one of the greatest
modern authorities on imperial Rome."
Bryn Mawr Classical Review, 00.06.14
This volume offers a new insight into the development of a great historian, as well as giving an exciting and immensely readable new approach to late Republican and early Imperial Roman history. Drafted in 1934-35, but laid aside in favour of The Roman Revolution (1939), The Provincial at Rome was to have been Ronald Syme's first book. It is a brilliantly written study of the enlargement of the Roman élite in the early empire, an analysis, in thirteen chapters, of the Emperor Claudius' enrolment of 'Gallic chieftains' into the Senate in AD 48. The edition also includes five unpublished papers dealing with Rome's conquest of the Balkans, a region Syme knew intimately.
"This is terrific. Syme wrote The Provincial at Rome when he was 31, with all the bravura of a brilliant young scholar confident of his powers and enjoying the opportunity to display them. Anthony Birley has done an excellent and appropriate editing job."
Professor T.P. Wiseman, University of Exeter
Market: Scholars and graduate students of classical studies and historiography. Historians of Rome. Academic libraries.
Author: Sir Ronald Syme was regarded long before his death in 1989 as the twentieth-century's pre-eminent historian of ancient Rome. He was Fellow of Trinity College, Oxford, 1929-49; Professor of Classical Philology, Istanbul, 1942-45; Camden Professor of Ancient History and Fellow of Brasenose College, Oxford, 1949-70; Fellow of Wolfson College, Oxford, 1970-1989.
Editor: Anthony Birley is Professor of Ancient History in the University of Dusseldorf and was previously Professor of Ancient History in the University of Manchester. He is the author of many books on Rome and editor of Syme's Roman Papers III-VII and Anatolica.
CONTENTS
Editor's Introduction
The Provincial at Rome
1 Introduction
2 The Evidence
3 Admission to the Senate
4 Provincial Senators before Augustus
5 Provincial Senators before AD 48
6 Prejudice against Provincials
7 The Virtues of Provincials
8 Roman and Provincial in Spain and Narbonensis
9 'Italicus es an provincialis?'
10 Gallia Comata
11 Claudius' Speech in Tacitus
12 The 'Oratio Claudii Caesaris'
13 New Light on Tiberius and Gaius
Additional Notes:
A Spanish senators before AD 48
B Senators from Gallia Narbonensis before AD 48
C Eastern senators before AD 48
Rome and the Balkans
1 Macedonia and Dardania, 80-30 BC
2 Proconsuls of Macedonia, 80-50 BC
3 The Status of Illyricum, 80-60 BC
4 Caesar's Designs on Dacia and Parthia
5 The Early History of Moesia
The
Roman Alexander:
Reading a Cultural Myth
Exeter Studies in History
This book seizes on one of the eternal
objects of widespread attention in Ancient History and turns the tables on
the scholarship that has shaped and dominated the field.
Instead of scrutinising the documents in
order to reconstruct the biography and assess the historical significance,
Diana Spencer traces the deployment and development of the mythical figure
of Alexander. She explores and
synthesises a selection of Latin texts, from the Late Republic to Hadrian,
to form a series of themed discussions which investigate the cultural
significance of Alexander for Rome.
The selected texts—drawn from verse and prose, history, epic and oratory—are presented alongside their English translation, and provide an insight into a world where to think about Alexander was to engage with the burning ideological issues of Rome during a period of intense and often violent political and cultural change. The book makes clear how particular texts and issues may be readily accessed, providing a valuable resource for teachers and their students, whilst also offering a new approach to cultural histories of Rome and Alexander.
Author: Diana Spencer is a Lecturer in Classics at the University of Birmingham.
"A book that can serve excellently as an introduction to the studies of Roman private houses, either for undergraduate students in archaeology or for general readers with an interest in ancient culture. The authors succeed in transmitting important information concerning the way of living in countryside and town, not only in Italy but also in the remote regions of the empire."
Mnemosyne, Vol. LII, 1999
" . . . deals with topics that are important for any teacher of Latin or Classical Civilisation, while its scale and clarity of organization make it accessible to sixth-formers."
JACT Review, Summer 1998
". . . a useful starting place. Unfamiliar words are collected in a glossary, and notes to each chapter provide references to some of the more specialist works. An index of sites serves as a guide to finding discussion of them in the text and to their location on four maps. The text is amplified by black and white plates and a generous number of line drawings, the latter generally placed conveniently close to the discussion. A guide to further reading is also included . . ."
The Classical Review, Vol. XLVIII, No. 1, 1998
"In format, price, and tone the book easily succeeds (like its forerunner companion, Roman Public Buildings) in divulging a great deal of information in accessible terms."
Greece and Rome, 44.2 (October 1997)
"The rich variety of buildings across the Roman Empire is cleverly explored by the authors, the similarities and the differences being equally fascinating . . . One fascinating element to emerge is the Romans' love of their gardens. How timeless seem some of the attempts to include garden space in densely populated urban areas." British Archaeology
A companion to Roman Public Buildings, this volume completes the architectural picture of Roman society by looking at the political, social and economic significance of residential buildings of all kinds. The book includes a chapter by Nicholas Purcell on gardens and luxury estates. The book is fully illustrated, and an index of sites with reference maps and a glossary is included.
Readership: Advanced level students and undergraduates taking courses in Roman and Greek civilisation and Roman architecture. An informative text for students studying with the Open University. The book is also accessible to the interested general reader.
IAN BARTON was until his retirement Head of Classics at University of Wales, Lampeter.
Exeter Studies in History
In this sequel to HISTORIOGRAPHY AND IMAGINATION, Professor Wiseman explores the question of how the Romans understood their own past and the role of early drama in generating and transmitting legends.
The first six of the book's twelve essays are concerned with stories and scenarios in the surviving literature which are best explained as having been first created for the stage. The other essays discuss the family traditions of Roman aristocrats, the rites of spring enjoyed by the Roman plebs, the use of Roman history in the radical politics of the nineteenth century, and how a great modern Roman historian exploited the novelist's art. The book is designed to be accessible to anyone with an interest in the ancient world, and all Latin and Greek is translated.
"Wiseman is a master of constructive fiction, and everything he writes is exhilarating. In fact, it would be hard to think of an ancient historian whose work is beter designed both to inspire advanced students with a sense of what impressive edifices can be constructed with bricks so short on straw-and also to hone their skills at testing, if necessary to destruction, the weak links in chains of overextended argumentation."
Times Literary Supplement, May 28, 1999
"This collection of essays demonstrates great depth and breadth of knowledge in the areas of Roman history, literature, culture, and archaeology, as well as exceptional analytical skill and creative imagination, which contemporary historians of republican Rome have come to associate with the name of T.P. Wiseman."
Bryn Mawr Classical Review, 98.12.14
". . . this volume is no disappointment, dealing as it does with two controversial and interlocking themes: the origin of the historical tradition on early Rome, and the nature of drama and dramatic festivals in the Roman Republic. . . Wiseman is a fine writer for many reasons. He produces interesting and compelling theories for the specialist and yet never loses the common touch. Indeed, this book, in which all Latin and Greek is translated, has a style which should appeal, as the publisher intends on the back cover, to "anyone with an interest in the ancient world."
Scholia Reviews ns 8 (1999) 8
"Wiseman is one of the most imaginative and challenging historians of
Rome in the world. This book will be a major contribution to Roman
studies."
Dr Mary Beard, Newnham College, Cambridge
Market: Scholars, teachers, students and researchers in the field of Classical Studies and Ancient History. Academic libraries. The general reader with an interest in the Classical world.
Author: Peter Wiseman is Professor of Classics at the University of Exeter and a Fellow of the British Academy. His most recent book was described by the London Review of Books as "enthralling" and by the Times Literary Supplement as "quite simply brilliant".
Exeter Studies in History
"Henderson
brilliantly capitalises on the survival of both an inscription and a poem (Statius,
Silvae 1. 4) about the
high-ranking Rutilius Gallicus, the emperor Domitian’s urban prefect.
With this rare collusion of epigraphical and literary criticism he
takes us on a dazzling excursion through Roman social and cultural history
and imperial politics and poetics. The book also draws attention to the importance of Statius’
Silvae as significant lyrical and
cultural productions of Domitian’s reign."
Professor
Carole Newlands, Department of Classics, University of Wisconsin-Madison
Some will feel
that Henderson at times reads too much into the poem, but the reader of
Statius must be sensitive to a variety of levels of subtlety. . . The
notes themselves provide a full accounting of the intertextual references
that abound in any Statian poem. All
Latin is translated in a style that is true to Statius’ mixture of wit and
hyperbole. It would not be
Henderson without some neat wordplay. My
favourite? Commenting on Statius account of Gallicus’ cure at the
hands of Apollo and Aesculapius, Henderson writes, ‘Not dead, just Asclepe!’
Classical Review. Vol 50, no 1. 2000
" . . . like Statius' poem, erudite and entertaining, a salon piece."
JACT Review, Autumn 1998
Rutilius Gallicus was chief of police, poet and courtier of the Roman Emperor Domitian. He is a unique figure in that he can be studied in detail through both text and inscription, thereby fusing literature with history, and linking poetry with epigraphy. His recovery from a critical illness was celebrated in a sparkling poem by Statius, the poet laureate whose work is currently being read with new interest.
As well as taking the reader on a tour across the city of Rome and the provinces, and through Flavian history and culture, Gallicus is by turns a sternly formal public servant, a delicate amateur poet and speaker, a workaholic chasing an early grave, the darling of his people, the strong-man of his tyrant Emperor, the miraculously resurrected patient of Apollo and a soldier-hero of the empire. How long could his luck last?
Market: University and advanced school students of Classical studies, ancient history, cultural history. For courses on imperial Rome, social history, introductions to epigraphy, Flavian poetry. Classical scholars. Academic libraries.
Author: John Henderson is Reader in Latin Literature, University of Cambridge and Fellow of King's College, Cambridge. He is the author of Figuring Out Roman Nobility: Juvenal's Eighth 'Satire' (Exeter, 1997) and (with Mary Beard) Classics: A very short introduction (Oxford, 1995).
Three related essays by well-known ancient historians on the nature of Roman politics in the late Republic and the Julio-Claudian period.
Exeter Studies in History
"Here is a concise and useful book covering all aspects of Roman public buildings . . . I found myself enthralled by the articles on buildings for entertainment and aqueducts. Both are fascinating in detail and range and particularly lucidly written. Its clear layout and comprehensive indexing make it a useful handbook for anyone and I was particularly impressed with the glossary which deals well with obscure detail but does not by-pass the apparently obvious. Figures and plates are well selected and clear and all the sites described are illustrated."
JACT Review
Roman Public Buildings was first published in the Exeter Studies in History series in 1989. It examines the development of Roman architecture and the significance of different types of buildings for the political, social and economic history of the period. A glossary of technical terms is included.
Readership: Advanced level students and undergraduates taking courses in Roman and Greek civilisation and Roman architecture. An informative text for Open University students. The book is also accessible to the interested general reader.
IAN BARTON was until his retirement Head of Classics at University of Wales, Lampeter.
Exeter Studies in History
This volume explains how satire can and cannot be used as a source for Roman social history: the possibilities and the limitations. The principal themes of friendship, city and country life, the law, food and women are explored.
Scythians and Greeks focuses
on the ancient history of the northern Black Sea region: a major ‘new
frontier’ of Classical studies.
The book presents a series
of engagements with key themes bearing on cultural interactions within the
region, from archaic Greek colonial settlement (approx. sixth century BC)
down to the region’s inclusion within the Roman imperial system (first
century AD). By bringing
together contributors from Russia, Ukraine and Georgia, the book makes
available material and ideas which are either wholly new or known only to a
very limited circle of specialists. The
particular focus is on the relationships which developed, in peace and war,
between the local peoples of the region (conventionally termed “Scythians”)
and the cultures of the classical Graeco-Roman world.
New
basic evidence—and new interpretations—presented in an interesting
mix of ancient history and archaeology
Market: Ancient
history; classical studies; archaeology.
There has been a sharp growth in interest in the region since the
fall of the USSR. Primarily a
book for scholars in the field, although it will be of interest to
third-year undergraduate and postgraduate students as well.
Academic libraries.
Editor:
David Braund is Professor of Black Sea and Mediterranean History,
University of Exeter. He is the
author of Georgia in Antiquity (OUP 1994) and editor of three books
for UEP: The Administration of Roman Britain (1988), Athenaeus and
his World (with John Wilkins, 2000) and Myth, History and Culture in
Republican Rome (with Chris Gill, 2003).
CONTENTS
Introduction,
David Braund
E.H.
Minns and M.I. Rostovtzeff: glimpses of a Scythian friendship,
Gregory Bongard-Levin, Head of Ancient History at the Institute of
History, Moscow, and a full Academician
Key points in Scythian
history, V.Yu. Murzin, Head of the Scythian Department of the
Institute of Archaeology, Kiev
Scythian
kings and “royal” burial-mounds of the fifth and fourth centuries BC,
A.Yu. Alekseyev, Head of Scythian Collection, Hermitage Museum, St
Petersburg
Mikhail
Treister, Humboldt Fellow in Germany in recent years, after a long career in
Moscow museums
Snake-limbed
and tendril-limbed goddesses in the art and mythology of the Mediterranean
and Black Sea, Yulia Ustinova, Lecturer,
Ben Gurion University, Israel, following a career in the Academy of
Sciences, Moscow
Who were the “Scythian” archers
on archaic Attic vases?, A.I. Ivanchik, Institute of General History,
Moscow and University of Bordeaux
Bobbies
or boobies? The Scythian police force in Classical Athens,
Balbina Baebler, Honorary Fellow in Classics at University of Exeter
Olbia
and the Scythians in the fifth century B.C.: the Scythian “protectorate”,
S.D. Kryzhitskiy, Head of the Classical Department of the Institute of
Archaeology, Kiev, and Director of the main Greek site in Ukraine (ancient
Olbia)
The
civic frontiers of Tauric Chersonesus in the fourth century B.C.,
M.I. Zolotaryov
The
Development of Graeco-barbarian contacts in the chora of the European
Bosporus (sixth–first centuries),
A.A. Maslennikov, Institute of Archaeology, Moscow
A new inscription from Scythian Neapolis:
the tomb of Argotas, lord of horse-rearing Scythia,
Yu.G.
Vinogradov, latterly Institute of History, Moscow and Yu.P. Zaytsev,
a Crimean excavator
Thrace
and the Bosporus under the early Roman emperors,
Sergey Saprykin, Institute of
History, Moscow
The
Crimean Campaign of Tiberius Plautius Silvanus, V.M.
Zubar, Institute of
Archaeology, Kiev
Bibliography
"Professor Wiseman in these essays bears his own learning lightly, and his hope
that, just as it was written for pleasure, "this is a book to be read for pleasure", deserves to be fulfilled . . ."
Times Literary Supplement
"This is a delightful book, one which amply demonstrates how versatile Wiseman is, from cartography to the sonnets of Hopkins, dabbling in depth, always to be taken seriously, always securely grounded in scholarly evidence ... The book is accessible to the classical civilisation student and the non-specialist reader." Scholia
"... the collection contains a number of essays which in the final analysis should encourage readers of this journal to think about the classical tradition in new and potentially profitable ways ... Wiseman writes with clarity and grace, and the balanced fairness with which he sketches the superficiality of Baddeley and the eccentricities of Knight allows the reader to encounter them as interesting figures in their own right. What is more, the essays printed here suggest that there can be more to the study of the Classical tradition than we generally acknowledge." International Journal of the Classical Tradition