Reading the Cinematograph
The Cinema in British Short Fiction, 1896-1912
Edited by Andrew Shail
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Subjects: Film History |
Contributions by
Stephen Bottomore, Jon Burrows, Stacy Gillis, Tom Gunning, Andrew Higson, Andrew Higson, Chris O'Rourke, Lise Shapiro Sanders, Andrew Shail and David Trotter
Reading the Cinematograph - The Cinema in British Short Fiction, 1896-1912 - Paperback cover
Reading the Cinematograph - The Cinema in British Short Fiction, 1896-1912 - Hardback cover
Publication Details:
Binding:
Hardback , 336 pages ISBN:
9780859898539Format:
234mm x 156mmBinding:
Paperback , 336 pages ISBN:
9780859898546Format:
234mm x 156mmBIC Code:
APFA, DSBH, DSK, FYB, HBJD1, HBTBImprint:
University of Exeter Press
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Andrew Shail
Exeter Studies in Film History
- 'Film Europe' And 'Film America' - Cinema, Commerce and Cultural Exchange 1920-1939
- Alternative Empires - European Modernist Cinemas and Cultures of Imperialism
- Alternative Film Culture in Interwar Britain
- The Big Show - British Cinema Culture in the Great War (1914-1918)
- British Cinema and Middlebrow Culture in the Interwar Years
- Charles Urban - Pioneering the Non-Fiction Film in Britain and America, 1897 - 1925
- A Chorus Of Raspberries - British Film Comedy 1929-1939
- Going to the Movies - Hollywood and the Social Experience of Cinema
- The Great Art Of Light And Shadow - Archaeology of the Cinema
- Hollywood, Westerns And The 1930S - The Lost Trail
- Legitimate Cinema - Theatre Stars in Silent British Films, 1908-1918
- Marketing Modernity - Victorian Popular Shows and Early Cinema
- Multimedia Histories - From Magic Lanterns to Internet
- Parallel Tracks - The Railroad and Silent Cinema
- A Paul Rotha Reader
- Popular Filmgoing in 1930s Britain - A Choice of Pleasures
- Reading the Cinematograph - The Cinema in British Short Fiction, 1896-1912
- The World According To Hollywood,1918-1939
- Young And Innocent? - The Cinema in Britain, 1896-1930