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BIC Excellence Award

Revolutionary Melodrama
Popular Film and Civic Identity in Nasser's Egypt

By Joel Gordon

Revolutionary Melodrama
Hardback, 300 pages £49.00
Published: 2002
ISBN: 9780970819901
Format: 231mm x 152mm
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Subjects: Arabic and Islamic Studies, Film History, Middle East Documentation Center


Revolutionary Melodrama explores intersections between cinema and politics during the Nasser era, a period in which a military regime embarked upon the construction of a new civic identity for an independent Egypt. The way in which filmmakers participated in this venture provides the focal point, with their cultural production as the central texts which both shaped and were shaped by an emerging sense of a new Egypt. With the blessing of a "revolutionary" regime, filmmakers began to explore issues of social inequity, colonial and feudal exploitation, changing gender roles, religious and cultural traditions and, finally, the disappointments of the revolutionary project itself.

No realm of cultural production holds greater import for the Nasser era than the cinema. Even those who are active in deconstructing the last vestiges of the Nasserist state trumpet the Nasser era as a "golden age" of the arts and media. The faces and voices on big and little screens, many still alive, some still working, constitute a pantheon who many Egyptians, young and old alike, feel will never be replaced.

The author approaches his subject as a scholar of the early Nasser years who has turned his attention to questions of civic identity and its relationship to art and political symbology. The work is enriched and informed by extensive interviews with a large circle of people engaged in the production or analysis of Egyptian cinema and broadcast, then and now: directors, actors, critics, historians, scenarists, censors, musicians, writers, politicians, and government ministers.

Egyptian film remains a largely ignored topic in an ever-growing literature on film and culture. This book sheds new light on what many consider to be the greatest era of Egyptian filmmaking, one that remains formative for many engaged in creating Egyptian films today.







Introduction: "We've Lost a Lot": Cinema and Longing Since Nasser

1. Playing to the People: Studios, Stars, and Social Texts

2. God and the Censor: History and Politics in Revolutionary Film

3. Revolutionary Melodrama: Torch Songs and Other Tropes

4. Free to be "Bad": The Revolution's New Woman Onscreen

5. New Peasants, Old Ways: Tradition and Nation in Nasserist Cinema

6. Unhappy Endings: The Rise and Fall of Nasserist Cinema

7. Nostalgia in Black-and-White: Nasser's Streets and Public Memory

References

Index




Joel Gordon is the author of Nasser's Blessed Movement: Egypt's Free Officers and the July Revolution (Oxford University Press, 1992; American University in Cairo Press, 1997, 2nd ed.) and essays on modern Egyptian history, pop culture, and mass media. He is Associate Professor of History and Associate Director of Middle East and Islamic Studies at the University of Arkansas.




Publication Details:


Binding:
 Hardback , 300 pages
ISBN:
 9780970819901
Format:
 231mm x 152mm

BIC Code:
 1HBE, APFA
BISAC Code:
  PER004030
Imprint:
 Middle East Documentation Center


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