• All Books

Exeter Studies in Film History

Published by University of Exeter Press in association with the Bill Douglas Centre for the History of Cinema and Popular Culture.

Series Editors: Richard Maltby, Professor of Screen Studies, Flinders University, South Australia and Steve Neale, Professor of Film Studies and Academic Director of the Bill Douglas Centre for the History of Cinema and Popular Culture, University of Exeter.

Filter A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ALL

Pages 1 | 2 | 3 | Next

Alternative Empires


This is the first book to study representations of the non-Western world in European modernist cinema. In offering new perspectives on the history of Soviet montage cinema and on the British documentary movement, it connects with the growing body of work analysing manifestations of orientalism, Eurocentrism and colonial discourse in the cinema.





Hardback    £60.00
9780859896047 | Published: 2000
Buy this book

Alternative Film Culture in Interwar Britain


In the first book-length study to concentrate specifically on Britain, Jamie Sexton examines the rise of avant-garde and experimental film-making between the wars.





Electronic book text    0.00
9780859898973 | Published: 2014
Buy this book

Alternative Film Culture in Interwar Britain


In the first book-length study to concentrate specifically on Britain, Jamie Sexton examines the rise of avant-garde and experimental film-making between the wars.





Hardback    £60.00
9780859898102 | Published: 2008
Buy this book

The Appreciation of Film


This book gives the first account of the volunteer-led film society movement in Britain and its contribution to post-WW2 film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’.





Hardback    £60.00
9780859898881 | Published: 2015
Buy this book

The Big Show


The Big Show looks at the role played by cinema in British cultural life during World War One. Hammond shows how the British film industry and British audiences responded to the traumatic effects of the War, and contends that the War’s significant effect was to expedite the cultural acceptance of cinema into the fabric of British social life.





Hardback    £65.00
9780859897587 | Published: 2006
Buy this book

Electronic book text    0.00
9780859899000 | Published: 2014
Buy this book

British Cinema and Middlebrow Culture in the Interwar Years


This offers an understanding of British Cinema between 1928 and 1939 through an analysis of the relationship between the British film industry and other ‘culture industries’ such as the radio, music recording, publishing and early television.





Hardback    £47.50
9780859897976 | Published: 2009
Buy this book

British Cinema and Middlebrow Culture in the Interwar Years


This offers an understanding of British Cinema between 1928 and 1939 through an analysis of the relationship between the British film industry and other ‘culture industries’ such as the radio, music recording, publishing and early television.





Electronic book text    0.00
9780859899017 | Published: 2014
Buy this book

Cecil Hepworth and the Rise of the British Film Industry 1899-1911


This book offers an industrial, economic and aesthetic history of the early years of the British film industry from 1899-1911, through a case study of one of the most celebrated pioneer film makers, Cecil Hepworth.





Hardback    £65.00
9780859898904 | Published: 2015
Buy this book

Charles Urban


Based on original research from Charles Urban’s own papers, this is the first biography of this influential film maker and innovator. It is also a historical study of the development of the non-fiction film in Britain and America in the early years of cinema, told through the experiences of the leading pioneer of the form.

 





Hardback    £60.00
9780859898829 | Published: 2013
Buy this book

A Chorus Of Raspberries


This is the first full-length study of one of the most popular, profitable and persistent genres in British cinema. It redraws the map of British film history by arguing that comedy was the most successful, and important, genre of the 1930s, and that the very qualities which ensured the comedy film's low status are also its particular strengths.





Hardback    £65.00
9780859896030 | Published: 2000
Buy this book

Pages 1 | 2 | 3 | Next
SORT BY
Asc Desc  Go

BROWSE BY TITLE
A B C D E F G H I
J K L M N O P Q R
S T U V W X Y Z
ALL

Download Lists

Download Lists
New Titles List
Complete List
Subject Lists

Mailing List

mailing list