L’Art de Régner is a tragi-comedy by Gillet de La Tessonerie, first published in 1645. It is unusual in that structurally each of its five acts is a separate playlet. The sub-title, Le Sage Gouverneur, refers to the role of a royal tutor, probably meant to be the duc de Bassompierre, to whom the play is dedicated.
An eighteenth-century "bourgeois tragedy", written in an English style. This is an important text, which provides an appreciation of the spirit of the era, and demonstrates the bridging of comic and tragic theatre styles.
This edition of Françoise Pascal’s collection epistolary highlights a rare, innovative and entertaining work by a woman writer unknown today, but in her time a distinguished playwright, poet and painter. Now in its first modern edition, this text provides new insights into seventeenth-century life and the discourses of galanterie and préciosité.
This is a volume in the series Textes littéraires/Exeter French Texts. If Elizabeth I of England thought to rid herself forever of Robert Devereaux, Earl of Essex, by sending him to the scaffold she was very much mistaken, since his name, intertwined with hers, has traversed four centuries.
These three tales, unpublished for over a century (and in one case for nearly two centuries), are a fictional exploration of Otherness and the intercultural set in the New World, either among native Americans (Abenakis, Iroquois) or runaway slaves in Jamaica befriended by Quakers.
Dialogues Révolutionnaires is an edition of twelve fictional dialogues of the Revolutionary period in which the various interlocuters try to come to terms with an evolving political reality and a language which is constantly developing.
Dissertations Contre Corneille chronicles one of the great literary controversies of seventeenth-century France. In 1663, François Hédelin, l’abbé d’Aubignac, published four dissertations in which he criticised with increasing ferocity the most famous and greatest playwright of the century, Corneille.
This play dramatises a French sailor’s protest in 1948-49 against the brutality of the French military conduct of the Indochina war. Henri Martin was imprisoned for five years for distributing pamphlets. The struggle to get him released became the ‘Henri Martin Affair’, and this play was a vital part of that struggle.
Rohou interprets Dynamis as an orthodox tragi-comedy that reflects both the political concerns of the late 1640s and the developments in dramaturgy which had taken place over the previous decade or so. Rohou is most helpful in pointing out, in footnotes and a brief glossary, differences between Du Ryer's language and modern usage.