On Actors And Acting
This is a book for theatre-lovers, written for anyone who shares the author's curiosity about the art of acting and about theatre past and present. The first section centres on Elizabethan theatre practice, the second highlights themes, episodes and contemporary taste in the eighteenth and nineteenth centuries in England, and the third focuses on twentieth-century performances of Shakespeare at Stratford in the 1970s and in the New Globe as the new century begins. The extensive cast of actors discussed includes Richard Tarlton, Will Kemp, David Garrick, Samuel Foote, Richard and Mary Ann Yates, Thomas Weston, John Kemble, Edmund Kean, Frederick Robson, Henry Irving, Ian Richardson and Ben Kingsley.
Contents: Part 1 Actors and acting in the early modern theatre: the Elizabethan actor - a matter of temperament; making an entrance - Chaucer to Tarlton; the missing jig; three Elizabethan actors; a note on Elizabethan rehearsal. Part 2 Actors and acting in the 18th and 19th centuries: bigamy and theatre; David Garrick - alive in every muscle; summer company - Drury Lane in 1761; Edmund Kean versus John Philip Kemble; Frederick Robson - a downright good actor; Irving and the Lyceum - volcano and cathedral. Part 3 Shakespeare in the 20th century: Shakespeare at Stratford - 1970-1975; the New Globe - monument or portent?
“Thomson’s affection for actors, advocacy for the primacy of the actor’s role in the theatrical process, and strong belief in the significant art of the actor permeate this eclectic, learned, and entertaining collection of essays . . . Thomson’s style is scholarly yet somewhat quirky and anecdotal, and very accessible . . . Well documented and nicely illustrated, Thomson’s book provides a capstone to his productive writing and scholarly career.” (Choice, Vol. 39, No. 4, Dec 2001) “Whilst Thomson disclaims the talent of Hazlitt, his readers, relishing his pithy insights, his biting wit, and admiring his crispness of phrase, will decide for themselves . . . [The book] will be enjoyed by anyone who cares deeply, with both head and heart, about not only teaching of drama but the future of theatre.” (Speech and Drama, Vol. 51, No. 1, Spring 2002) “When Peter Thomson was writing reviews of Stratford productions for Shakespeare Survey in the 1970s, he saw his job as being “to reproduce in words what it was like to be there, but without ducking away from a responsibility to enter into contemporary debate”. This is the spirit in which On Actors and Acting is written, and it is deeply pleasurable . . . interspersed with amplifications, second thoughts, wry self-criticisms and addenda from an author to whom the issues and arguments of the past still matter today . . . Historical practices and personages repeatedly are illuminated by reference to the contemporary, and many of Thomson’s throw-away remarks – such his comparison between Irving and David Warner – are worth their weight in gold.” (Theatre Research International, Vol. 27, No. 1, 2002) “In this resonant collection of essays, Peter Thomson invites us to contemplate the performance techniques of key actors in the British theatre from the Shakespearean era to the present day…. throughout the book Thomson’s elegant prose draws the reader into a completely absorbing commentary, mixing anecdote and humour with a passionate belief in the power of the actor as a popular figure … Thomson’s own excitement for the art reminds us how exciting acting can be.” (Contemporary Theatre Review, Vol. 14, No. 4, 2004)
Peter Thomson has been Professor of Drama at the University of Exeter since 1974. He is author and editor of numerous books, including The Everyman Companion to the Theatre (Dent, 1985), Shakespeare's Theatre (Routledge, revised edition 1992), The Cambridge Companion to Brecht (Cambridge, 1994), Shakespeare's Professional Career (Cambridge, new edition 1999).
On Actors And Acting - Hardback cover
New Titles List
Exeter Performance Studies
- Ancient Greek and Contemporary Performance - Collected Essays
- British South Asian Theatres - A Documented History (with accompanying DVD)
- British Theatre And The Red Peril - The Portrayal of Communism 1917-1945
- The Censorship of British Drama 1900-1968 Volume 1 - Volume One 1900-1932
- The Censorship of British Drama 1900-1968 Volume 2 - Volume Two 1933-1952
- The Censorship of British Drama 1900-1968 Volume 3 - Volume Three: The Fifties
- The Censorship of British Drama 1900-1968 Volume 4 - The Sixties
- Critical Essays on British South Asian Theatre
- Eighteenth-Century Brechtians - Theatrical Satire in the Age of Walpole
- Forms of Conflict - Contemporary Wars on the British Stage
- Freedom's Pioneer - John McGrath's Work in Theatre, Film and Television
- From Mimesis To Interculturalism - Readings of Theatrical Theory Before and After ‘Modernism'
- Grand-Guignol - The French Theatre of Horror
- In Comes I - Performance, Memory and Landscape
- John Mcgrath - Plays For England
- London’s Grand Guignol and the Theatre of Horror
- Making Theatre in Northern Ireland - Through and Beyond the Troubles
- Marking Time - Performance, Archaeology and the City
- On Actors And Acting
- Performing Grand-Guignol - Playing the Theatre of Horror
- Singing Simpkin and other Bawdy Jigs - Musical Comedy on the Shakespearean Stage: Scripts, Music and Context
- Theatre Workshop
- Theatres of the Troubles - Theatre, Resistance and Liberation in Ireland
- Victory Over the Sun - The World's First Futurist Opera