Film, Cinema, Genre
The Steve Neale Reader
By Steve Neale Edited by Frank Krutnik and Richard Maltby
This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities.
Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and film noir – this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies.
The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neale’s work, and contextualizes it within the development of UK film studies.
The book charts Neale’s intellectual development over the course of his career, as he subjected his own earlier assumptions to critique and revision, serving as an original account of disciplinary change over time through the prism of one of its key actors.- Sheldon Hall, Sheffield Hallam University
The book serves as a handbook of methods of analysis – archival work involving print culture, “distant” readings of large bodies of film, close textual analysis, theoretical polemics. Neale’s work provides some of the best examples of each of these methods: a “manual” of sorts in film studies.- Will Straw, McGill University, Montreal, Canada
Steve Neale is Emeritus Professor of Film Studies at the University of Exeter. He is the author of Genre and Hollywood (2000), co-author of Epics, Spectacles and Blockbusters: A Hollywood History (2010), editor of The Classical Hollywood Reader (2012), co-editor of ‘Un-American’ Hollywood: Politics and Film in the Blacklist Era (2007) and Widescreen Worldwide (2010), and a contributor to Film Moments: Criticism, Theory, History (2010) and to Film Studies and Movie.
He has been a Series Editor of Exeter Series in Film History. He was recipient of BAFTSS’s Outstanding Achievement Award in 2017.
Frank Krutnik is a Reader in Film Studies at the University of Sussex. He is the author of In a Lonely Street: Film Noir, Genre, Masculinity (1991), Popular Film and Television Comedy (with Steve Neale, 1990) and Inventing Jerry Lewis (2000), and editor of Hollywood Comedians: the Film Reader (2003), Un-American Hollywood: Politics and Film in the Blacklist Era (with Steve Neale, Brian Neve, Peter Stanfield, 2003) as well as special issues of New Review of Film and Television Studies and Film Studies.
Richard Maltby is the Matthew Flinders Distinguished Emeritus Professor of Screen Studies at Flinders University, Adelaide. A Fellow of the Australian Academy of the Humanities, he has published extensively on the cultural history of Hollywood and edited eight books on the history of cinema audiences, exhibition and reception, including Going to the Movies: Hollywood and the Social Experience of Cinema (UEP, 2007; co-edited with Melvyn Stokes and Robert C. Allen). He is a Series Editor for Exeter Studies in Film History.
Exeter Studies in Film History
- 'Film Europe' And 'Film America' - Cinema, Commerce and Cultural Exchange 1920-1939
- Alternative Empires - European Modernist Cinemas and Cultures of Imperialism
- Alternative Film Culture in Interwar Britain
- The Appreciation of Film - The Postwar Film Society Movement and Film Culture in Britain
- The B&C Kinematograph Company and British Cinema - Early Twentieth-Century Spectacle and Melodrama
- The Big Show - British Cinema Culture in the Great War (1914-1918)
- British Cinema and Middlebrow Culture in the Interwar Years
- Cecil Hepworth and the Rise of the British Film Industry 1899-1911
- Celluloid War Memorials - The British Instructional Films Company and the Memory of the Great War
- Charles Urban - Pioneering the Non-Fiction Film in Britain and America, 1897 - 1925
- A Chorus Of Raspberries - British Film Comedy 1929-1939
- Cinema on the Front Line - British Soldiers and Cinema in the First World War
- Decoding the Movies - Hollywood in the 1930s
- Film, Cinema, Genre - The Steve Neale Reader
- Going to the Movies - Hollywood and the Social Experience of Cinema
- The Great Art Of Light And Shadow - Archaeology of the Cinema
- Hollywood, Westerns And The 1930S - The Lost Trail
- Legitimate Cinema - Theatre Stars in Silent British Films, 1908-1918
- The Lost Jungle - Cliffhanger Action and Hollywood Serials of the 1930s and 1940s
- Marketing Modernity - Victorian Popular Shows and Early Cinema
- Multimedia Histories - From Magic Lanterns to Internet
- Parallel Tracks - The Railroad and Silent Cinema
- A Paul Rotha Reader
- Popular Filmgoing in 1930s Britain - A Choice of Pleasures
- Reading the Cinematograph - The Cinema in British Short Fiction, 1896-1912
- Screening Europe in Australasia - Transnational Silent Film Before and After the Rise of Hollywood
- Silent Features - The Development of Silent Feature Films 1914 - 1934
- The World According To Hollywood,1918-1939
- Young And Innocent? - The Cinema in Britain, 1896-1930