University of Exeter Press

Cinema on the Front Line

British Soldiers and Cinema in the First World War

    • 256 Pages

    Cinema on the Front Line offers the first comprehensive history and analysis of how the medium of cinema intersected with the lives of British soldiers during the First World War. Documenting the wartime use of cinema, from domestic recruitment drives to makeshift theatrical venues established on the front line, and then in convalescent hospitals and camps, this book provides evidence of the previously unacknowledged importance of the medium as recreational support and entertainment for soldiers living through the trauma of conflict.

    Presenting the fruits of his archival research, the author makes extensive use of war diaries and other military records to foreground the voices and perspectives of British soldiers themselves. Including discussion of over 70 films, this book will interest specialists in British film history, propaganda film, exhibition and audience studies, as well as historians and students of the First World War, propaganda and the military.

    DOI: https://doi.org/10.47788/LAML7430

    Cinema on the Front Line offers the first comprehensive history and analysis of how British soldiers engaged with and were engaged by the medium of cinema during World War I. Utilizing extensive archival records and soldier testimony, the book offers a unique perspective on the cultural value and importance of cinema to the army during wartime.

    This is an important contribution. Work on cinema tends to privilege official views and opinions on cinema, and analyse it in a very top-down manner. This work shows the ‘nuts and bolts’ of how cinema was delivered to soldiers and what soldiers made of cinema. 

    Mark Connelly, Professor of Modern British History, University of Kent

    List of Illustrations

    Acknowledgements

    Introduction

    Chapter 1: Cinema, Recruitment Campaigns and the Outbreak of War

    Chapter 2: The BEF and Film Exhibition on the Western Front

    Chapter 3: Soldier Cinema Audiences on the Front Line

    Chapter 4: A War of Representation: Soldiers and Topical Films

    Chapter 5: The Cinema, Recovery and Rehabilitation

    Afterword

    Appendix

    Bibliography

    Index

    Chris Grosvenor has a PhD in Film Studies from the University of Exeter and has published in several journals including Historical Journal of Film, Radio and Television. His research has been featured on ITV News and BBC Radio Devon.

    Winner of the Philip M. Taylor IAMHIST-Routledge Prize for the Best Article by a New Scholar.

    ISBN
      DOI https://doi.org/10.47788/LAML7430
      • 256 Pages
      • 27 Illustrations, 2 Black & white tables