University of Exeter Press

Global TV Series and the Political Imagination

    • 352 Pages

    Global TV Series and the Political Imagination explores the transformative power of television in the digital age. We live in an era profoundly influenced by the proliferation of global and national streaming services, where contemporary television series have the ability to shape viewers’ political and ethical imaginations. This volume examines how television series reflect and address social issues, power dynamics, and competing ideological perspectives in various cultural and political contexts, with a nuanced analysis of the political implications embedded in their narratives.

    Using case studies from sixteen countries across the world with very distinct political contexts and cultures, it offers an expanded view of the global television landscape beyond the traditional focus on anglophone productions. This diversity highlights cross-cultural similarities and differences in the production and reception of television series, and considers the varying effects of globalization on local cultural approaches.

    The book makes a strong contribution to the emerging field of TV philosophy, bringing together writings by a diverse group of scholars from different academic disciplines that deepen our understanding of television series as a vital cultural and political force in a globalized world. It will appeal to specialists and students in media studies, cultural studies, philosophy, and related fields, as well as the general reader interested in the impact of modern television formats.

    In the current era of political crisis, Tatsiana Zhurauliova and Anastasia Krutikova have pulled together a smart bunch of scholars to analyse and critique the forms and functions of political television in a variety of global contexts, thus expanding the horizon of television studies and encouraging their readers to think big.

    Neil Ewen, Associate Professor of Media, Communications and Culture, University of Exeter

    Introduction: TV Series in the Age of Global Digital Distribution Anastasia Krutikova and Tatsiana Zhurauliova
    DOI: 10.47788/YVIT8901
    1. Engrenages: Machiavellian Ethics and Politics for an Unpredictable and Turbulent World in a French Crime Series Philippe Corcuff
    DOI: 10.47788/CPSV5340
    2. Reshaping Political Drama: Verisimilitude in South Korean Series Chief of Staff Stéphane Thévenet
    DOI: 10.47788/MLLB2944
    3. Why Talk About Boys? Some Thoughts on Two Israeli Series—Our Boys and Unknowns Ayelet Lilti
    DOI: 10.47788/PVNQ5896
    4. Medieval Fantasy and Democracy: The Example of the French TV Series Kaamelott Sylvie Allouche
    DOI: 10.47788/GMGK4152
    5. The Series The Days as a Global Resource for Political Education and Democratic Conversation About Nuclear Energy Governance Adrienne Sala
    DOI: 10.47788/GWBP1847
    6. ‘Our War for Our Survival’: Politics and Ideology in Russian Spy Series Sleepers Anastasia Krutikova and Tatsiana Zhurauliova
    DOI: 10.47788/CYTW9581
    7. Teşkilat: The Power of Series in the Service of Power Solene Poyraz
    DOI: 10.47788/QDOX3785
    8. Al-Ikhtiyar or the Apology of the Egyptian State: (Re)Writing History on the Small Screen Sixtine Deroure
    DOI: 10.47788/IMXM5686
    9. The Knockout: Mirroring the Social and Political Reality of Present-day China Shensen Cai and Emily Dunn
    DOI: 10.47788/DAHO5871
    10. Soap Operas, Strategic Identities, and Electoral Competition in Contemporary Brazil Antonio Athayde Sauandaj
    DOI: 10.47788/ZKHN9067
    11. Make Romantic Comedies, Not War: How Televised Romance Can Help Us Reimagine Everyday Peace in Korea and Israel/Palestine Yuval Katz and Sojeong Park
    DOI: 10.47788/HBKR4317
    12. Contributing to the Construction of a Democratic Dialogue in Côte d’Ivoire: My Family Series in the Ivorian Political Landscape Othniel Halépian Bahi Go
    DOI: 10.47788/SPLY8194
    13. Servant of the People: When Imagination Takes Over Thibaut de Saint Maurice
    DOI: 10.47788/LZOS7267
    14. The Street Is Watching: Jaq, a Nuanced Story of Blackness, Gender, and Urban Struggle in Contemporary London Alexandre Diallo
    DOI: 10.47788/RZVW4518
    15. The Platform: The Hybridities of Techno-Thriller and Politics in the Emirates Thomas Richard
    DOI: 10.47788/KCLL2713
    16. Politics and Philosophy in Two Mexican Streaming Thrillers: Ingobernable (Uncontrollable, 2017) and El candidato (The Candidate, 2020) Paul Julian Smith
    DOI: 10.47788/HXGE8610
    17. Borgen: Power & Glory: Northern Europe’s Green Policies and the Challenge of Relying on Black Gold Benjamin Campion
    DOI: 10.47788/SNLM1644
    18. Feminism Waves and Series Waves in the USA Sandra Laugier
    DOI: 10.47788/BAQF9885

    Anastasia Krutikova is a postdoctoral researcher at Waseda University, Tokyo. She holds a Ph.D. in socio-cultural anthropology from the École des hautes études en sciences sociales (EHESS). Her research focuses on anthropological theory, media anthropology and secondary education in France and Russia.

    Tatsiana Zhurauliova is a postdoctoral fellow at the Université Paris 1 Panthéon-Sorbonne, as part of the ERC Demoseries project. She received her PhD in art history from Yale University in 2014. She has held the positions of Associate Researcher and Research and Teaching Fellow at the Université Paris Nanterre and the Université de Paris, and Collegiate Assistant Professor and Postdoctoral Fellow at the University of Chicago. Her research focuses on the intersection of visual culture and discourses on identity and difference in the United States and Eastern Europe.

     

    ISBN
      DOI https://doi.org/10.47788/BSQM7200
      • 352 Pages